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Album Savings: £0.72 compared to buying all songs
- Original Release Date: 31 Jan 2011
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
Buy this MP3 album with any other MP3 album under £8 and pay no more than £10 for both (terms and conditions apply). Just look for any album with this message, put it in your basket with another eligible title and the discount will be applied at checkout. |
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| Song Title | Artist | Time | Price | |||
|---|---|---|---|---|---|---|
| Play | 1. Claudy Banks | Albion Country Band | 4:34 | £0.69 | ||
| Play | 2. The Little Gypsy Girl | Albion Country Band | 2:14 | £0.69 | ||
| Play | 3. Banks Of The Bann | Shirley Collins | 3:36 | £0.69 | ||
| Play | 4. Murder Of The Maria Marten | Shirley Collins | 7:24 | £0.69 | ||
| Play | 5. Van Dieman's Land | Albion Country Band | 4:57 | £0.69 | ||
| Play | 6. Just As The Tide Was A 'Flowing | Albion Country Band | 2:09 | £0.69 | ||
| Play | 7. The White Hare | Albion Country Band | 2:42 | £0.69 | ||
| Play | 8. Hal-An-Tow | Albion Country Band | 2:51 | £0.69 | ||
| Play | 9. Poor Murdered Woman | Shirley Collins | 4:19 | £0.69 |
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Customer Reviews
Most Helpful Customer Reviews
68 of 71 people found the following review helpful
Format:Audio CD
I have to admit I was a little disappointed with this CD at first. I was hoping for something more like Liege and Lief, what with so many alums of that best folk rock record ever present (on one track or another, everybody but Sandy Denny and Dave Swarbrick). But this is very much an Ashley Hutchings project, and Hutchings left Fairport Convention because he thought their sound wasn't folky enough. Another way to look at this is that it's an electric Shirley Collins record. The point is it doesn't rock all that hard-its still electric, still kinda folk rock, but it has a much more gentle, rural vibe. The only song that strongly calls Liege and Lief to mind is The Murder of Maria Marten, which is so great it's almost worth the price of the CD.
But if you take the rest of the CD on it's own terms, it's pretty interesting. Hutchings and Collins were trying to revitalize traditional English music, which they saw as moribund and endangered by the spread of American and Celtic music. The result is so unrepentantly unabashedly English that for a Yank like myself, and I suspect for many English listeners as well, it's almost exotic, like a kind of world music, as foreign-sounding in it's whiter-than-white way as the latest disc out of Mali or Tuva. They're not afraid of concertinas or fol-a-diddle fol-a-day choruses here. But, for my money, they make them work. It doesn't sound corny, it sounds rootsy-English roots, mate. We're not talkin' uptight repressed bowler hat and umbrella British English, we're talkin' earthy peasant English, singing for pints in the pub dancing round the May Pole bringing in the sheep screwing in the hay English. And some of the melodies are really beautiful, particularly The Banks of the Bann (with Shirley's sister Dolly on piano) and Just as the Tide Was Flowing (given a more rocked-out treatment twenty years later by 10,000 Maniacs).
Shirley is in fine voice (she describes her voice in the accompanying notes as "moldy and strange, but at least it's my own", which is a very fair assessment), although she does get buried a bit on the louder songs-she's no Sandy Denny. Her voice is more fragile, but that fragility can make it very affecting. It has a salt of the earth quality that I find very appealing, and it is of course quite, quite English.
The arrangements are excellent-varied and very evocative, with interesting mixes of instruments (electric guitar, medieval instruments, accordion, even the sound of a horse-drawn cart on one song) but they're a little tight-not a lot of soloing, which is, again, a bit of a disappointment given the fact that Richard Thompson is on board. But I think the idea was to keep the focus on the songs rather than on soloists.
11 of 11 people found the following review helpful
Format:Audio CD
This album was the start of the various forms of the albion country band.
Ashley Hutchings was married to Shirley Collins and brought the band together as a backing group for Shirleys new album "No Roses". Shirleys lovely untrained voice would have been drowned by a totally electric band and a lot of the band were specifically accoustic. The band included, Greg Butler (later of Strawhead) on Serpent, Richard Thompson on guitars, Ashley Hutchings on bass, Tim Renwick also on guitars. Also, among the backing singers was one Maddy Prior.
I still have the album on vinyl and still occasionally listen to it. Songs like, Just as the Tide was a flowing, Maria Marten (The murder in the Red Barn), Claudy Banks, Hal an Tow including accompaniment by Jaws harp and hammered dulcimer, as only Shirley Collins could sing them.
A classic Folk Album.
Ashley Hutchings was married to Shirley Collins and brought the band together as a backing group for Shirleys new album "No Roses". Shirleys lovely untrained voice would have been drowned by a totally electric band and a lot of the band were specifically accoustic. The band included, Greg Butler (later of Strawhead) on Serpent, Richard Thompson on guitars, Ashley Hutchings on bass, Tim Renwick also on guitars. Also, among the backing singers was one Maddy Prior.
I still have the album on vinyl and still occasionally listen to it. Songs like, Just as the Tide was a flowing, Maria Marten (The murder in the Red Barn), Claudy Banks, Hal an Tow including accompaniment by Jaws harp and hammered dulcimer, as only Shirley Collins could sing them.
A classic Folk Album.
9 of 9 people found the following review helpful
Format:Audio CD
For me this is a more acomplished album than L&L by the Fairports. I know that said album came first by about two years, but the real spirit of English folk music is summed up by the stuff on this album. I must admit I purchased this with some misgivings. If I'm honest I wasn't sure that Shirley Collins with an amplified backing band would work. In reality I should not have worried - because it most definitely does.
There's nothing slick or refined about the songs here. They have a ragged, woosy, English charm, which is insightful and charming. As you will see from the cover there is a cast of thousands here. The likes of Ashley Hutchings, Nic Jones, John Kirkpatrick, Mady Prior et al, are all here and playing together ensemble for the benefit of the song rather than egos.
Standout tracks, well basically all of them. 'Banks Of The Bann', 'Hal and Tow', 'Dieman's Land', I could go on. I have not stopped playing this record!!!!!.
There's nothing slick or refined about the songs here. They have a ragged, woosy, English charm, which is insightful and charming. As you will see from the cover there is a cast of thousands here. The likes of Ashley Hutchings, Nic Jones, John Kirkpatrick, Mady Prior et al, are all here and playing together ensemble for the benefit of the song rather than egos.
Standout tracks, well basically all of them. 'Banks Of The Bann', 'Hal and Tow', 'Dieman's Land', I could go on. I have not stopped playing this record!!!!!.
Most Recent Customer Reviews
The first 'Albion Band' album.
This is the one that paved the way for all the many 'Albion Band' albums, and related stuff, in subsequent years. Read more
Published on 29 Mar 2010 by Alan Berry
A few things you should know about 'No Roses'
'No Roses' wasn't the first attempt to mix folk with another kind of music (Romantic composers of the 19th century grafted it with classical) and it wasn't the last (folk metal is... Read more
Published on 29 Dec 2009
English folk-rock masterpiece
Ashley Hutchings was the key player in the making of 5 of the greatest English folk-rock albums in this exciting genre. Read more
Published on 7 Dec 2009 by Harvey Randall
no roses but much budding talent
A nice package at a nice price. Now for the music: those who know the musicians and singers are unlikely to be disappointed with this interesting 1971 release. Read more
Published on 18 Oct 2009 by Samuel Pyke
Pure Englishness
I bought this LP in 1971 when it first came out and I still play it 38 years later. If folk musicians of 200 years ago had electric guitars and access to psalteries and saxaphones... Read more
Published on 19 Aug 2009 by Mr. Julian J. Foulger
brilliant english folk rock classic
From the opening track 'Claudy Banks' this album gives that otherworld feel thats very intoxicating. Read more
Published on 11 Jan 2009 by noddy g
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