Calling this album by the video title of "Unleded," as a takeoff on "Unplugged," sorely misses the point of why "No Quarter" is not just Jimmy Page and Robert Plant doing acoustic versions of Led Zeppelin songs. The primary attraction of this album is the infusion of Eastern rhythms and sounds into their old songs. The Egyptian Ensemble's percussion section uses instruments you just do not hear on rock 'n' roll albums: Dobolla, Duf, Bendir, Reque, Merwas, Nay and Finger Cymbals (for good measure the back up band includes a Bodhran and Hurdy Gurdy). As soon as you hearing the opening of "Nobody's Fault But Mine" you know that there is an exotic twist to these songs this time around. "No Quarter," "Friends," "The Battle for Evermore," "Gallows Pole" and "Four Sticks" all benefit from this fresh approach. Then, just to make things really interesting, we get the string section of the London Metropolitan Orchestra to come in on the awesome version of "Kashmir" that ends the album. Consequently, the songs were we do not really get the full flavor of this exotic twist, such as "Thank You," That's the Way" and "Since I've Been Loving You," seem a bit out of place. It would be hard to argue that Plant's voice is everything it once was, but ultimately he is just another instrument on this mix. I have always appreciated the mixing of musical styles, whether it is Paul Simon and Peter Gabriel using South African influences or Loreena McKennitt blending Celtic and Eastern music together, so I certainly consider "No Quarter" to be in that successful vein. The fact that these are Led Zeppelin songs just makes this album that much better.