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No One Can Ever Know
 
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No One Can Ever Know [CD]

The Twilight Sad Audio CD
4.5 out of 5 stars  See all reviews (4 customer reviews)
Price: £7.99 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
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Music

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Photos

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Biography

The Twilight Sad comprises James Graham (vocals), Andy MacFarlane, (guitar/accordion/noise), Craig Orzel (bass), and Mark Devine (drums). Forming in late 2003, the band played a couple of early shows at Glasgow's 13th Note, creating half hour pieces of music utilising guitars, bass, drums, theremin, tape loops from films and old folk and country songs, effects pedals, toy keyboards, thumb pianos,… Read more in Amazon's The Twilight Sad Store

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Frequently Bought Together

Customers buy this with Blues Funeral £9.69

No One Can Ever Know + Blues Funeral
Price For Both: £17.68

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  • This item: No One Can Ever Know

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    Dispatched from and sold by Amazon.co.uk.
    This item Delivered FREE in the UK with Super Saver Delivery. See details and conditions

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Product details

  • Audio CD (6 Feb 2012)
  • Number of Discs: 1
  • Format: CD
  • Label: Fatcat Records
  • ASIN: B005SZ1NO4
  • Other Editions: Vinyl  |  MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: 2,385 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. Alphabet 4:26£0.69
Listen  2. Dead City 6:25£0.69
Listen  3. Sick 4:23£0.69
Listen  4. Don't Move 4:20£0.69
Listen  5. Nil 5:18£0.69
Listen  6. Don't Look At Me 4:09£0.69
Listen  7. Not Sleeping 5:11£0.69
Listen  8. Another Bed 4:39£0.69
Listen  9. Kill It in the Morning 5:53£0.69


Product Description

BBC Review

If you only afford The Twilight Sad’s third full-length a quick glance – and I won’t deny that immersing yourself in the Scottish trio’s bleak world requires effort – you might perceive a kind of dark, twisted Editors. Popularised by Interpol, this strain of brooding indie-rock isn’t much in vogue these days; those seeking quick success have moved on, busy mining other quarries. In a way that suits No One Can Ever Know down to the ground, as it implies a band left behind, isolated.

Whereas Editors seem to ape the tortured soul of Joy Division, here it’s the real deal. The song titles imply as much: Dead City, Don’t Move, Not Sleeping, Kill It in the Morning. These are more than ostentatious angst; they’re doors onto shadowy, eerie scenes. Many of the songs start with ghostly rumours, like the stirring of troubling memories.

On Sick, James Graham’s vocals are godly, omnipresent, every rolled Glaswegian ‘r’ and low-crooned note captured in reverberant surround-sound. But at other times he roars furiously, or instead mutters distantly, the words difficult to make out. This changeability adds to the impression that you’re exploring his labyrinthine consciousness, his voice guiding you through a cold ruined cityscape of distorted guitars, trembling bass, melodramatic synth-strings, and a snare battered remorselessly throughout.

Graham frequently references the suffering of a girl or woman he once knew: "I was hoping on a good day you would be fine," he sings regretfully of her on Alphabet; "You look so frail, you know," he tells her pleadingly on Sick. We’re never quite let in on what the story is, but the fragments are haunting: "Should have at least started to stall / Should have said no to it all… Did you see that the fair came round?" (Dead City). He tends to revisit the same lines over and over, not quite as choruses, more like he can’t help coming back to them. There’s perhaps catharsis in this, as though the process expunges the pain of the memories.

A similar theme – trying to forget something awful – ran through the band’s last album, Forget the Night Ahead. Graham hasn’t the slightest intention of ever revealing what these songs are about, and while No One Can Ever Know compels you to enter, to share, to speculate, the disturbing glimpses suggest that it’s better not to know.

--Darren Loucaides

Find more music at the BBC This link will take you off Amazon in a new window

Product Description

New 2012 album ... their first in 3 years! Foreboding kraut-wave rhythms & rippling electronic gloom from the Scottish sensations, now reduced to a trio. Produced by Andrew Weatherall (Primal Scream). For fans of Liars and Cabaret Voltaire.

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Customer Reviews

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Most Helpful Customer Reviews
8 of 8 people found the following review helpful
Format:Audio CD
I'll admit, I love The Twilight Sad. I own pretty much everything they have done and have seen them live on more than one occasion. The Wrong Car is one of my all time favourite videos. So I'm biased; but don't let that put you off what I have to say. This is an immense, bold soundscape of an album that gets better at every listen. There is a sonic shift in comparison to their previous offerings; electro is more to the fore, the guitar is understated. But the sound is unmistakably, classic, Twilight Sad - songs driven by keen drums and the beautiful Celtic voice of James Graham. I'd pick out individual songs (Nil is the standout track), but as with previous albums, each blends together to form a magnificent whole. Cracking stuff; a band on the up.
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4 of 4 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
As with previous Twilight Sad recordings there is a feel of lyricism and poetry about James Graham's writing that lifts the Twilight Sad to another level from most of their peers, while his Scottish brogue is instantly recognisable. As if that wasn't enough No One Can Ever Know is musically a world away from their previous efforts, subtle and sophisticated with electronic sounscapes, effects, more Joy Division than previous influences such as Mogwai. Having said that this is not the most uplifting recording you will have heard this year, (just a glance through the song titles will tell you that: sick, dead city, nil, kill it in the morning etc) but it's one to sit down with, and give a few listens to as the hidden subtleties in the music reveal themselves. Well worth trying.
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4 of 5 people found the following review helpful
Format:Audio CD
On the whole, a great recording. Joy Division comparisons? Maybe some of the synths: it's not there in the singing, guitar, bass, or drumming to any great extent. This album doesn't sound - by any stretch of the imagination - like a Martin Hannett production. Just as well really, because Martin Hannett has been dead for over two decades. And you know what? I mislike the way the critics enjoin us to share their take on cultural products like this record. To call this Joy Division is laughable because it's got no Bowie in it, and no Kraftwerk. Some Neu maybe. So what. Herman Hesse's Steppenwolf. Silk Flowers. Monday mornings, Sunday nights.Things that you can live with: and things you can't. Mixed up with electricity bills, council tax bills. Giant holograms in the sky, Stalinisation of western capitals. We love the moon.
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