No Line On The Horizon

This is coming at you from what you would call an old school, hardcore fan. I have followed these Fair City chancers around the globe and even lived in their home town for five years...rubbing shoulders with them from time to time whether it be at The Olympia, Patrick Guilbaud's or the late great Lillie's Bordello. So I do consider myself an authority and a keen watcher from afar. A real fan speaks truthfully with realism. Ya gotta see their bad and good. Too many starry eyed, born again christian Yank fans treat them like they do their own flag- with blind patriotism. No band always makes the right move, the best song, the best album. The bombast and the soundbites can wear thin across the years oh Cuban heeled one. Alas, I digress...the album in question.
As the title says- So close...yet so far. This could have been one of the greats. The atmosphere and cover art of No Line set us up for something deep and melancholic. The title track sent the hairs up on the back of my neck and I got very, very excited. Bono has to try just that little bit harder for the upper register these days, but he's still got it. (Please stop when you don't...do not do a Billy Idol or Bon Jovi. Not that they are in your league.) Magnificent is just that, trademark uplifting U2. Some might say, not this again...I say spot on. Moment of Surrender- just as beautiful. What you must understand here is they are setting a mood. A very good one. We are heading for Classic Album territory here. Unknown Caller...yes! Yes! Love the intro...build, build harmonies. Thank-you Eno! My god this is going to be up there with some of their very best...nooooo! The next track marks the demise, the near miss, the big mistake. You just had to try for the single didnt you boys. Larry why didnt you speak up, reign the B man in? Eno you knew better didnt you? You tried to warn them. And bloody 'Boots'. I can't quite put my finger on why this is so incredibly dire, so very crap...it just is. Trying too hard again lads...you were onto something superb and you wrecked our buzz. Stand up Comedy. Again more of the same. You are not the Stone Roses. Actually, it is Bono cramming far too many naff lyrics into a fairly good tune that ruins this one. We don't need to hear about your ego...we've been hit on the head with it for 30+ years! I know you love the sound of your own voice but stop ooohhingg over every bit of nice playing Edge hits! He must get so annoyed with you at times. Sigh. Fez, ok excellent right back on track. Beautiful song. We are now back on the original mood that you lads set. White as Snow. Not my favourite ballad...I just think you are losing touch with the lyrics a bit B. What are you trying to tell us? What is this storytelling? I am not feeling the honesty. Something feels funny. The weakest of the good tracks, but not horrible and at least you are still on the right vibe. Hell, it may grow on me. Breathe. Yes! Edge you are sublime, Bono spot on, A & L a sweet groove. Great song. I might have gone a bit more minor with the chorus after the tone you set and the lyrics there are a bit weak after the verses but I'll forgive you. Cedars. Nice music. Cotinuity of atmosphere. Bono where are you at? Is it just me? I am not feeling you. Too much money for too long? Is the view too gilded from San Remo? Is the mist too thick up Killiney Hill. Come back.
Ok. A critical review. I love you no less. I bought the special edition box set. I flew to Dublin to watch you at Croker. I am doing the back stage catering at Glasto for god's sake. (Bloody 50 year old rock stars and their back spasms!) You have been with me since I was a messed up teen...'Boy' spoke for me, to me. I have spent thousands on you so I have a right. You missed the mark and you were on the right track. It is no secret that you struggle with final track listings/first singles. If you had led with Magnificent and a different video...hindsight, eh? I am certain that their were a lot of arguments and struggle with this, (look how long it took) Eno should have had final say. Your George Martin for a reason.
So there you have it. In any other hands a solid four stars, because it is you boys I dock a star for those three middle songs and Bono's often vague, grasping, unsure and unusually insincere lyrics. Have you run out of imagery, clever couplets? Yes, there are few great words...'I was born to sing for you', thank-you, but too much didnt work.
Wow. If anyone actually reads all this they deserve a medal. Still the best band around, arguably the best ever and the greatest show on earth. Bring on the next one. Long may your voice last Bono, you aint getting any younger and sort your freakin' back out! I am going to be trudging in the mud at Glasto for no reason now...
Signed,
A true fan

I was no stranger to U2, albeit pretty much lapsed fan. They had faded from view for me.
While "How to dismantle an atomic bomb" was far from a bad album, there's not much on there I bother with now.
Already had the last five albums but only got this in 2011 after hearing the Achtung tribute album and reading articles in the Q magazine it came free with. Was supposed to be influenced by Nine Inch Nails, I decided it would be worth a listen.
No, I can't hear any Nine inch nails in this but what I can hear is revitalisation and a group full of ideas and energy.
That is so rare in a band that has been around for so long, they tend to lose their 'edge' as it were!
The only blip on here is 'Get on your boots' the single which is a by the numbers song, but the rest are gems.
Favourites are 'Breathe', 'Unknown Caller' and 'Magnificent'. Find those on you tube and have a listen, you might be surprised at just how good they are...

This is a really enjoyable album to listen to... and yes I am a U2 fan but seriously few bands these days (or at least the few I get the chance to listen to) put out records which incorporate such a diversity of sounds and moods among a handful of songs.
So just a few points, negative ones first.
The first track 'No Line On The Horizon' sounds like a song which should have found a home on a B-side rather than as an opener to a new album. It sounds so subdued, as grey as the album's cover art (could that be the intention?) It's been well over a year since the record's release and still this song fails to interest me a great deal.
'Moment Of Surrender'...I love the keyboards, the layers of sound here, a Radiohead-like tinkle starting it all off and also I love the big Edge guitar solo...but honestly the song itself?
It sounds like a return to 'If God Will Send His Angels' (from the otherwise great 'Pop' album) which is one of, if not the weakest ballad-type song U2 have ever recorded. And 'MOS' does not improve upon it at all (apart from aforementioned keyboardy bits and guitar adventure)! It does however sound like the perfect song for Bono to bring to some global event stage where he can be joined in the sing-along by the music world's nobility, all emoting for the salvation of each and every one of us. It is a song that does not know if it wants to be rock or soul or gospel. There are great songs that can pull off a mix of all three genres...alas this is not one of them.
Asides from these two I think the rest of the record is more or less top notch stuff, the highlight for me being 'Unknown Caller.'
I listened to this song three or four times before I even bothered to concentrate on the vocal at all. I was just hooked by the instrumentation, entranced by the looping guitar melody. Near the end of the song the guitar explodes out of this into quite an awesome solo. An epic and mesmerising piece of music; I think one of the most beautiful pieces U2 have ever released.
To follow this with 'I'll Go Crazy If I Don't Go Crazy Tonight', which is just quintessential, chiming, sugary U2 pop had me dancing around the house thinking that, 'Yeah, they are the greatest band in the world!'
And 'Magnificent'...what hilarious fun that is! It sounds just like the song that U2 would write if they were to parody U2. It is like a dose of U2-distillate!
OK, to bring this to a close: 'Fez' is a looser, floatier construction of a song and it makes you think that there really is a lot of Brian Eno floating around on this album isn't there? But good stuff nonetheless, a nice nod to the wonderful 'Zooropa.'
'Breathe'...I love the way Edge's guitar accelerates to the close of the solo but whenever I hear the chorus I always think of Oasis's 'Acquiesce'...does anyone else get this too?
And finally 'Cedars Of Lebanon' brings this album (and this review) to an end. There is some effective usage of samples on this track and I also like the return to the pattern of bleak, haunting songs closing U2 albums (think 'Love Is Blindness' on Achtung Baby', 'Wake Up Dead Man' on 'Pop')
Isn't it funny? Once you write one of these reviews you want to go off and listen to the thing reviewed don't you? Is that why we do it?
Bye for now.