The 80s came back into fashion, but Nik didn't. Secretly, I'm pleased that he hasn't done a Spandau, because I don't want his quiet, unassuming brilliance to become exploited. This record is as far away as you can get from the over-produced synthesised sound 80s music often was. Just him, an acoustic guitar and his looper (google it). Recorded in conjunction with his acoustic tour, "No Frills" is mostly a simple and effective re-working of previously issued songs. Some of his big hits (The Riddle, Don Quijote, I won't let the sun go down on me) feature, and "Dancing Girls" is given a waltz treatment, which gives new emphasis to the lyric, while "Wouldn't it be good" is slowed right down, becoming a far more intimate experience. There are two new (well, unreleased) songs; "Lost in you", co-written with Chesney Hawkes, which could be a Latin toe-tapper, and "This Broken Man" which is tear-jerkingly beautiful. I was surprised at the choice of two tracks, "Fiction", which is not Nik's strongest song, and "Loud, confident and wrong", which is a sharp snap at George Bush (but we don't need to do that now, do we?) I would have liked more reworkings of the 80s back-hit-catalogue, for example,"Wide Boy" and "Human Racing", which is one of the best-constructed pop songs I know. The best news is that as a fiftigenarian, Nik's voice is better than ever, and he has taken real care with the singing on this album. He produces albums but rarely, and they are all brilliant, so like his others, this one is to be savoured. Go and see Nik: you'll see one of the greatest singer/songwriters we have, who performs solo with confidence and vituosity. Congratulations to the four-man team that produced this record: Hank Werkis, Ash K Winker, Kirk Enshaw and Nik Kershaw himself. No frills, indeed.