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Album Savings: £12.80 compared to buying all songs
- Original Release Date: 13 Sep 2005
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
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| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. Act I, Scene 1: (Beginning) | 2:51 | £0.69 | ||
| Play | 2. Act I, Scene 1: "Soldiers of Heaven Hold the Sky' | 2:48 | £0.69 | ||
| Play | 3. Act I, Scene 1: "The People Are the Heroes Now" | 2:49 | £0.69 | ||
| Play | 4. Act I, Scene 1: Landing of the Spirit of '76 | 2:22 | £0.69 | ||
| Play | 5. Act I, Scene 1: "Your Flight Was Smooth, I Hope?" | 1:19 | £0.69 | ||
| Play | 6. Act I, Scene 1: "News Has a Kind of Mystery:" | 7:09 | £0.69 | ||
| Play | 7. Act I, Scene 2: (Beginning) | 4:05 | £0.69 | ||
| Play | 8. Act I, Scene 2: "You Know We'll Meet with Your Confrere The Democratic Candidate | 2:22 | £0.69 | ||
| Play | 9. Act I, Scene 2: "You've Said That There's a Certain Well-known Tree" | 2:44 | £0.69 | ||
| Play | 10. Act I, Scene 2: "Founders Came First, then Profiteers." | 6:53 | £0.69 | ||
| Play | 11. Act I, Scene 2: "We No Longer Need Confucius." | 3:03 | £0.69 | ||
| Play | 12. Act I, Scene 2: "Like the Ming Tombs." | 5:17 | £0.69 | ||
| Play | 13. Act I, Scene 3: (Beginning) | 6:13 | £0.69 | ||
| Play | 14. Act I, Scene 3: "Ladies and Gentlemen, Comrades and Friends," | 6:37 | £0.69 | ||
| Play | 15. Act I, Scene 3: "Mr. Premier, Distinguished Guests," | 2:36 | £0.69 | ||
| Play | 16. Act I, Scene 3: Cheers | 3:45 | £0.69 | ||
| Play | 17. Act II, Scene 1: (Beginning) | 3:34 | £0.69 | ||
| Play | 18. Act II, Scene 1: "Look Down at the Earth," | 5:26 | £0.69 | ||
| Play | 19. Act II, Scene 1: "This Is Prophetic!" | 8:28 | £0.69 | ||
| Play | 20. Act II, Scene 1: "At Least the Weather's Warming up." | 3:03 | £0.69 | ||
| Play | 21. Act II, Scene 2: (Beginning) | 2:53 | £0.69 | ||
| Play | 22. Act II, Scene 2: "Oh What a Day I Thought I'd Die!" | 4:48 | £0.69 | ||
| Play | 23. Act II, Scene 2: "Whip Her to Death!" | 2:29 | £0.69 | ||
| Play | 24. Act II, Scene 2: Tropical Storm | 4:44 | £0.69 | ||
| Play | 25. Act II, Scene 2: "Flesh Rebels" | 3:08 | £0.69 | ||
| Play | 26. Act II, Scene 2: "I Have My Brief" | 1:05 | £0.69 | ||
| Play | 27. Act II, Scene 2: "It Seems so Strange" | 2:51 | £0.69 | ||
| Play | 28. Act II, Scene 2: "I Am the Wife of Mao Tse-tung | 6:30 | £0.69 | ||
| Play | 29. Act III: (Beginning) | 1:10 | £0.69 | ||
| Play | 30. Act III: "Some Men You Cannot Satisfy." | 3:17 | £0.69 | ||
| Play | 31. Act III: "I Am No One." | 4:01 | £0.69 | ||
| Play | 32. Act III: The Maos Dance | 2:00 | £0.69 | ||
| Play | 33. Act III: "Sitting around the Radio" | 1:16 | £0.69 | ||
| Play | 34. Act III: "Let Us Examine What You Did." | 2:43 | £0.69 | ||
| Play | 35. Act III: "When I Woke up I Dimly Realized the Jap Bombers Had Given Us a | 1:20 | £0.69 | ||
| Play | 36. Act III: "I Have No Offspring." | 1:54 | £0.69 | ||
| Play | 37. Act III: "I Can Keep Still," | 2:11 | £0.69 | ||
| Play | 38. Act III: "After that the Sweat Had Soaked My Uniform" | 2:28 | £0.69 | ||
| Play | 39. Act III: "Peking Watches the Stars," | 2:42 | £0.69 | ||
| Play | 40. Act III: "You Won at Poker." | 3:14 | £0.69 | ||
| Play | 41. Act III: "I Am Old and I Cannot Sleep" | 4:24 | £0.69 |
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Product details
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Customer Reviews
Most Helpful Customer Reviews
27 of 29 people found the following review helpful
Format:Audio CD
The interesting thing about "Nixon in China" is that, in spite of its subject matter being historical, it is not an historical opera. Both John Adams, the composer, and Alice Goodman, its librettist, described it as an heroic opera. The aim was to find a new mythology for a modern generation: in Adams' terms, most people have to learn who Odysseus was from books, but speak of Marilyn Monroe, Charlie Chaplin or Richard Nixon and everyone knows who you are talking about -- and these names have faces and personalities ready-attached.
The aim of the opera seems to have been to take an event -- Richard Nixon's (remarkable) visit to China in 1972, and to present it as a human drama. I think it succeeds in this very well. We see a rarely glimpsed sympathetic side to Nixon, particularly in dialogue with his wife Pat, herself a key player in the opera, seeming to represent Nixon's idealism. Mao-Tse-Tung is enigmatic, but again, we see a side of him not usually seen in the West -- less of the noble statesman and more of the man-in-the-street. Kissinger is a delightful (though rather sinister) buffoon, and Chiang Ch'ing (madame Mao) is formidable and terrifying (much as she was in the "cultural revolution" then in progress).
For me, though, the most interesting character is Chou-En-Lai, the premier. More taciturn than Mao, yet still powerful, he is a perfect gentleman with a sinister side, even to himself. It is this self-doubt and self-examination which, to me, makes him so fascinating.
As far as I know this is the first and only recording of the work, and although mostly excellent I think some of the changes of time-signature are not handled completely smoothly. This will no doubt be rectified in later recordings.
I would reccomend this to anyone who enjoys the exciting and the new in music.
4 of 11 people found the following review helpful
Format:Audio CD
There is a lot of energy in Adam's music but I am never quite sure whether it is up to much; I have never really got into this opera - its less memorable than "Klinghoffer" albiet less static; I accept that this may be a failing on my part.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
21 reviews
56 of 60 people found the following review helpful
The best new opera of the last fifty years
5 Oct 2000
Format:Audio CD
There just hasn't been an opera of this intelligence or this sophistication written anywhere in the last half-century. Adams and Goodman make a thrilling and effective equation between what opera and political summits both do in their different ways: make the quotidian seem "larger than life" (to quote Nixon from his opening aria).
There's much to say about the technical sophistication of the work: the dense and rewarding allusiveness of Goodman's beautiful libretto, for example, or the wonderful ways in which Adams uses the repetitiveness of the minimalist mode for psychological purposes (such as Nixon's nervousness, Pat's near-hysteria, and Madame Mao's violent dogmatism). This production is quite fine, and enjoys a definitive Nixon in the person of James Maddalena, who makes the character by turns triumphant, clumsy, paranoid, tender, and poignant--just as we remember the real Richard Nixon. There are few more beautifully pillowy baritones than Sanford Sylvan, and he found the part of his career in Chou En-lai, the subtle and valiant Chinese premier: Chou's splendid first-act aria "Ladies and Gentlemen, Comrades and Friends" is the emotional heart of the opera, and Sylvan does it full justice. Carolann Page is a moving and heroic Pat Nixon, and does a superlative job with Pat's big scene in the second act (the most enigmatic but also touching part of the entire opera--in part because it moves towards the margins of the masculine political world elsewhere portrayed).
Of the leads, John Duykers and Trudy Ellen Craney fare perhaps less well than the others. Craney's tessitura is not entirely pleasant, yet nonetheless her spikiness well suits the part of the fiercely doctrinaire Chiang Ch'ing quite well. Duykers does seems out of his league somewhat as Mao T'se-tung--the role should be sung without effort and with great beauty of tone (to show that Mao's body may be failing him but his mind and spirit are as strong as ever), but Duykers is not the heldentenor of one's dreams. Still, this is--all in all-- a superb recording of a superb opera.
25 of 26 people found the following review helpful
Dont miss this recording
29 July 2000
Format:Audio CD
When i went to see the recent English National Opera production of Nixon in China I went with a sense of mild curiosity and an expectation that i would be completely bored stupid by about halfway through the first act. Instead i left gushing with excitement and rushed out to get hold of a copy as soon as possible. For those of you unfamiliar with Adams, he differs a bit from other minimalists in that he is actually just an old fashioned romantic with modern trappings. Hence lots of tunes, lush harmonies and mainly tonal music. Even reminders of Richard Strauss. The minimalism serves just to make it all quite rhythmically driven. In this recording all the main parts are strongly cast. Even though Chairman Mao's wife is a little fluttery, she manages the high tessitura and awkward intervals of her showstealing act 2 aria with ease. Both of the Nixons feel at home in their parts.The Chinese premier phrases beautifully. The recording is well balanced and the performance solidly conducted, although occasionally a little more drive might have been in order. Overall this is an excellent recording of an opera that is infrequently performed and unjustly neglected. Listen to the seamless progression of big tunes during the act 2 ballet and you will be a convert to the cause.
29 of 31 people found the following review helpful
An Important American Heroic Opera
12 April 2001
Format:Audio CD
Nixon in China is a Heroic opera that has not lost its edge and beauty in the years since it was written. The music and words are finely crafted and bring out many of the emotions of wonder, hope, and self-doubt that one can imagine the Nixons, the Chinese, and the Americans went through during the historic visit to China. The music has a minimalist bent to it, but it is so much more than that. The Opera is lyrical, tuneful, and quite memorable. The singing is near perfect and well balanced between soloists. Librettist Alice Goodman created a wonderful text that is rich with poetry and imagery and simply inpired in parts. Chou En-lai's scenes (Ladies And Gentlemen, Comrades And Friends & I Am Old And I Cannot Sleep) contain music of supreme beauty and reflection. There are great arias by Nixon (Richard and Pat), Mao Tse-Tung, and Henry Kissinger that also deserve mention (but for brevity. The only thing sadly missing is the staging, which served well to heighten the work. The music and text is still fresh and current. I highly recommend what will eventually be recognized as one of the great operas of the 20th century.
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