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This lens takes on a new lease of life with the advent of Nikon SLR digitals, including the D70, D100, D1X and D2H. Nikon digital SLRs have an APS format CCD, which effectively means that the field of view on a 28 mm lens is equivalent of a 42mm on regular film, while a 35mm lens is equivalent of 55mm.
This therefore puts this lens in the 40mm - 60mm equivalent range of 'normal' lenses. For 35mm film, the 50mm lens is the 'normal', being the closest to the human eye. For Nikon digital, you are left choosing between this and the 35mm lens.
One of the benefits of the smaller digital format is that aberrations and distortions at the edge of the lens are less apparent, so this is effectively a 'better' lens on digital than it is for film. However, the smaller field of view means that you need a higher hand-holding speed for a shake-free image, which makes the f2.8 maximum aperture a little annoying.
This is one of the first prime lenses I bought for my D100. It gives me a little greater field of view than the 35mm, which is often what you want, especially if you are shooting for print (which I usually am) and intend to crop later. Lens distortion can be countered in Photoshop after shooting.
Other alternatives to consider for digital are the 35mm f2 and the 28mm f1.4. If you want to make 28mm your main 'normal' lens, then the f1.4 is obviously a better choice, but it does cost three times as much. In speed terms the 35mm f2 is going to be about the same, given the narrower field of view.
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