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Product Description
Product Description
About the Author
Nick Tosches is the author of the novels Cut Numbers and Trinities. His nonfiction books include Hellfire and Dino. His work has appeared in Vanity Fair, for which he is a contributing editor, and in The New York Times and Rolling Stone.
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Customer Reviews
Gresham writes in a tough-voiced pulp fiction tone that lingers over the most unsavory aspects of the story--sometimes to the point of nausea--and the result is a harsh vision of the world as a "nightmare alley," a one-way run with unseen hounds hell after you and death when you meet the brick wall at the end. The characters are memorable: the glib-tongued Stan, embroiled in his own Freudian hell; the hardknocks but likeable Zeena, a carny psychic who starts Stan on his career; the pretty but stupid Molly, who becomes Stan's unwilling partner in crime; and, always lurking somewhere in the background, the carny geek, the ultimate portrait in degredation and desperation, a monsterous man-made grotesque whose image frames the novel.
The novel is deliberately disorienting, and each new section of the book is heralded by the use of a Tarot card to remarkable effect. NIGHTMARE ALLEY is powerful stuff, and it shouldn't be read on an empty stomach. Recommended, but brace yourself: when you pick up the book you'll find yourself on an express elevator, and it's straight down all the way.
Stanton wants the big time action and he has the ability to go far. He is glib, charismatic and a skilled cold fortuneteller. After marrying fellow carnival worked Molly, he and she go to work acquiring larger targets. After becoming a mail-order minister, they conduct seances and allow rich people to communicate with the dead. Stanton and Molly and rewarded handsomely. However, even that isn't enough as Stan pushes his luck and goes after a major capitalist in order to clear huge amounts of money.
The gritty writing is similar James M. Cain's (Double Indemnity and The Postman Always Rings Twice) and is unafraid to reveal the characters' seedier nature. The format of the book is also clever -- showing Stanton's rise to power (and ultimate demise) through the use of tarot cards at the start of each chapter. My only complaint was that it was sometimes hard to follow. I found that at the start of almost every chapter I felt a sense of disorientation until I figured out what was going on. The continuity was weak. However, I liked the book tremendously -- especially when it revealed Stanton's ruses.
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