Product details
Would you like to update product info or give feedback on images?
|
|
Review Nightclubbing was perhaps the 'lighter' of the pair but no less convincing for it. Her recipe for success was a fearless, almost intimidating, choice of significantly reworked cover versions, combined with the use of peerlessly drill-practised session musicians. The album is, of course, named after the Iggy Pop track from his Bowie collaboration The Idiot. Jones' skill as a facilitator as well as pop cultural icon is exposed in the way the original song is converted from Krautrock-damaged, Suicide-aping sleaze fest into sophisticated, lightly-dub inflected, disco reggae. The conceptual joke of the song is clear: Grace doesn't hang around in the same horrible dives as Mr James Osterberg, but you can be sure that the experience is just as existential and soul-draining. She has just applied Pop's lyrics to the cocaine-and-champagne instead of amphetamine-and-vodka lifestyle.
All of her covers are astutely chosen; Bill Withers' Use Me and Flash and the Pan's Walking in the Rain are canny reworkings and, as with all good covers, the style in which they are reworked becomes a statement in itself. (Contrary to popular belief there isn't a Police cover on this album. Demolition Man was written for her by Sting, who, in typical graceless style, then decided he liked the song and got The Police to record a lacklustre version later on.) But the album's undoubted centrepiece is an original composition and a work of cocksure funk disco genius. Pull Up to the Bumper remains a bona-fide dancefloor filler and one powered by a delicious irony at that. Jones' fanbase at the time was mainly comprised of white gay men, who idolised this chiselled, masculine woman who sang unashamedly and quite obviously about the joys of an, ahem, alternative sexual practice for her, that wasn't so alternative for them.
For this recording, La Jones' pair of aces in the hole came in the shape of Sly Dunbar on dub echo-treated metronomic drums and Robbie Shakespeare dealing out tar-thick bass wobble. Ensconced in Island's Compass Point studios in the Bahamas the statuesque beauty, aided by her two lieutenants, laid down a world-class album.
--John Doran
Find more music at the BBC This link will take you off Amazon in a new window
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
|