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Nightclubbing [CD]

Grace Jones Audio CD
4.8 out of 5 stars  See all reviews (14 customer reviews)
Price: £5.38 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Frequently Bought Together

Nightclubbing + Warm Leatherette + Island Life
Price For All Three: £16.74

Buy the selected items together
  • Warm Leatherette £5.60
  • Island Life £5.76

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Product details

  • Audio CD (24 May 1989)
  • Number of Discs: 1
  • Format: CD
  • Label: Universal / Island
  • ASIN: B000001FT2
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Bestsellers Rank: 3,370 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. Walking In The Rain (Album Version) 4:18£0.89  Buy MP3 
Listen  2. Pull Up To The Bumper (Album Version) 4:41£0.89  Buy MP3 
Listen  3. Use Me 5:04£0.89  Buy MP3 
Listen  4. Nightclubbing 5:04£0.89  Buy MP3 
Listen  5. Art Groupie 2:38£0.89  Buy MP3 
Listen  6. I've Seen That Face Before (Libertango) (Album Version) 4:28£0.89  Buy MP3 
Listen  7. Feel Up 4:00£0.89  Buy MP3 
Listen  8. Demolition Man (Album Version) 4:02£0.89  Buy MP3 
Listen  9. I've Done It Again 3:44£0.89  Buy MP3 


Product Description

BBC Review

Nobody was expecting Grace Jones to re-launch her career successfully with 2008's Hurricane, arriving 19 years after her previous studio album. Even fewer were expecting this larger-than-life artist to return with a vital piece of work that engaged with the post-trip hop end of dubstep and a hitherto unexplored familial connection with evangelical gospel song. But while this was a forward-looking album in some respects, it also provided a concrete link back to the most fruitful period of her tenure at Island Records in the early 80s, when she produced her best work. Warm Leatherette (1980) and Nightclubbing (1981) were two masterful works of post-punk pop that delved into the worlds of disco, reggae and funk much more successfully than most of her 'alternative' contemporaries, while still retaining a blank-eyed alienation that was more reminiscent of David Bowie or Ian Curtis than most of her peers.

Nightclubbing was perhaps the 'lighter' of the pair but no less convincing for it. Her recipe for success was a fearless, almost intimidating, choice of significantly reworked cover versions, combined with the use of peerlessly drill-practised session musicians. The album is, of course, named after the Iggy Pop track from his Bowie collaboration The Idiot. Jones' skill as a facilitator as well as pop cultural icon is exposed in the way the original song is converted from Krautrock-damaged, Suicide-aping sleaze fest into sophisticated, lightly-dub inflected, disco reggae. The conceptual joke of the song is clear: Grace doesn't hang around in the same horrible dives as Mr James Osterberg, but you can be sure that the experience is just as existential and soul-draining. She has just applied Pop's lyrics to the cocaine-and-champagne instead of amphetamine-and-vodka lifestyle.

All of her covers are astutely chosen; Bill Withers' Use Me and Flash and the Pan's Walking in the Rain are canny reworkings and, as with all good covers, the style in which they are reworked becomes a statement in itself. (Contrary to popular belief there isn't a Police cover on this album. Demolition Man was written for her by Sting, who, in typical graceless style, then decided he liked the song and got The Police to record a lacklustre version later on.) But the album's undoubted centrepiece is an original composition and a work of cocksure funk disco genius. Pull Up to the Bumper remains a bona-fide dancefloor filler and one powered by a delicious irony at that. Jones' fanbase at the time was mainly comprised of white gay men, who idolised this chiselled, masculine woman who sang unashamedly and quite obviously about the joys of an, ahem, alternative sexual practice for her, that wasn't so alternative for them.

For this recording, La Jones' pair of aces in the hole came in the shape of Sly Dunbar on dub echo-treated metronomic drums and Robbie Shakespeare dealing out tar-thick bass wobble. Ensconced in Island's Compass Point studios in the Bahamas the statuesque beauty, aided by her two lieutenants, laid down a world-class album.

--John Doran

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Product Description

CD

Customer Reviews

4.8 out of 5 stars
4.8 out of 5 stars
Most Helpful Customer Reviews
7 of 7 people found the following review helpful
5.0 out of 5 stars THE TORCH SINGER 14 July 2000
By Pieter Uys HALL OF FAME TOP 500 REVIEWER
Format:Audio CD
Nightclubbing is the best starting point for those wishing to explore Ms Jones' immediate post-disco phase. This 1981 album followed the previous year's groundbreaking Warm Leatherette and was a commercial triumph. More accessible than both Warm Leatherette and Living My Life, this second work in the Sly & Robbie trilogy is packed with outstanding songs of lyrical and melodic distinction. They include compositions by Bill Withers, Astor Piazzolla, Sting, David Bowie/Iggy Pop, Barry Reynolds and Grace herself. The sound is crystal clear and despite the Jamaican influences the album has a bohemian European air about it.

Varied yet cohesive, Nightclubbing successfully explores different directions but gives the overall impression of a concept album. It is polished and sophisticated, displaying none of the raw edges of Warm Leatherette and offers a broader appeal than Living My Life. On the opening track Walking In The Rain Grace applies her semi-spoken vocal style over a light pop-reggae beat. Notorious for its risqué lyrics, Pull Up To The Bumper with its jerking Jamaican rhythms and car horn samples is a perennial club favorite which has seen a multitude of remixes and covers down the years.

The slower numbers are Bowie & Iggy's Nightclubbing which is sinister rather than celebratory and I've Done it Again which is romantic and soulful as opposed to the title track's menacing undertone.
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10 of 11 people found the following review helpful
5.0 out of 5 stars 1981 Studio Album 3 May 2006
Format:Audio CD
In 1981, Grace Jones returned to the music scene with what was perharps her very best studio album, Nightclubbing. The Nightclubbing album certainly gained wide recognition from critics and was even voted as Album Of The Year by New Musical Express Magazine.

Again Grace returned to the startling format of combining Reggae, Rock, New Wave, Funk and R&B. The diverse, atmospheric arrangements are utterly compelling on all of these recordings.

Nightclubbing opens with the hypnotic, trance-like Walking In The Rain. Grace speaks and scowls through the entire recording and bizarre as it is, it still emerges as totally compelling with its blend of New Wave and Reggae.

This leads into what is her ultimate classic with the fantastic, driving R&B/Funk tune, Pull Up To The Bumper. Grace Jones delivery is highly effective on this track and has such immediacy and an infectious feel. Pull Up To The Bumper eventually became a Top 20 seller in the U.K.

Use Me is a catchy, highly effective reggae tune where Grace ignites the recording again with her diverse vocal approach whilst the title track, Nightclubbing is a bizarre cover of a David Bowie track. Synchronised sounds are combined with Graces stark delivery which surprisingly combine well together.

Art Groupie is more dated sounding though still works whilst the subtle mixture of French jazz, new wave and reggae on the startling, I've Seen That Face Before is another compelling, though blatantly weird affair. She conveys such spirit, fire and passion on her inspired re-working of Stings, Demolition Man.

The strong Jamacian vibes on the interestingly experimental, Feel Up is another cracking affair but the ultimate surprise on the album is served with the late-night jazz number, I've Done It Again.
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12 of 14 people found the following review helpful
5.0 out of 5 stars Grace Kicks *ss 12 Mar 2007
Format:Audio CD
This is THE best Grace Jones album which I first heard courtesy of my black stocking-clad friend Sarah Collins back in London UK in early 80's and it epitomises the dramatic world brought into view in 'Master and Servant' and 'shiny shiny leather' fetish clubs....Grace is ominous, parisienne, evocative and dangerous and makes other female singers look and sound like Barbie.. From the outrageously visualised androgyne look on the cover to the non stop darkness of tracks.. the percusion on this album is superb like Zang Tum Tumb clicks and bells and night 'cicada' sounds...

Grace paints mind pictures here which long presaged her sinisterness in the Bond movie.. she remains to this day truly mad, bad and dangerous to know and musically distinct from a smothering sea of vacuous bland female vocalists... for many years I ran my 'Open Channel D' radio show with clips of Grace as my virtual on air 'co-driver' on 'missions'... I can imagine GC as being good company in a fight or a fetish club...we need more women like this...

Buy this CD and shake up ur brain... she's as unique a voice and character as David Sylvian, Brian Ferry, Bert Jansch, David Bowie or similar unique talents..no one else like her and this is her best... spies and agents in Parisian smog, cruising cars, gloss lipstick, shiny bodywork and guns girls and a bulletproof heart... Grace must have seen the Bond film coming what a shame they pitched her against a suited woos like Roger!!..she should have been in The Matrix!!

One of my favourites here is Libertango - (I've seen this face before) where Grace relates the tale of her shadowy parisienne stalker... ha, that's me - I was that black clad gumshoe in turned up collar coat under the pale art-deco lamplight..
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Most Recent Customer Reviews
5.0 out of 5 stars All about then
Sums up an era, in particular 1981, nuclear war, nihilism, sex and a deep sense of foreboding wrapped up in warm bodies. Read more
Published 21 days ago by Dr. Delvis Memphistopheles
5.0 out of 5 stars Masterpiece
I CANT UNDERSTAND WHY THERE NEVER HAS BEEN A 2 CD DELUXE EDITION OF THIS MASTERPIECE THERE ARE A LOT OF 12 INCH VERSIONS THAT NOT HAS BEEN RELEASED ON CD 1. Read more
Published 8 months ago by music lover
4.0 out of 5 stars nightclubbing
A bit of a trip down memory lane and I had forgotten how good these tracks were and still are. The music still retains its edgy atmospheric vibe - loved it!!
Published on 1 Dec 2010 by maisie
5.0 out of 5 stars The first lady of New Wave
GRACE JONES is without a doubt the coolest and stylish singer on the planet!
The lady who launched a million flat top hair styles, the diva who never fails to shock and... Read more
Published on 25 May 2010 by Neil B
5.0 out of 5 stars Best Nightclubbing album from Grace !
This is certainly the Best Grace Jones album !

Although varied, it sounds like a genuine concept album
and offers an outstanding opportunity to discover Grace... Read more
Published on 20 April 2010 by Jesse CRAIGNOU
5.0 out of 5 stars Graceful Masterpiece
Nightclubbing is the best entry point for those wishing to investigate Ms Jones immediate post-disco phase. Read more
Published on 3 Jan 2010 by Pieter Uys
5.0 out of 5 stars Grace's masterpiece
Nightclubbing of 1981 followed the previous year's experimental Warm Leatherette and was a triumph sales-wise. Read more
Published on 26 July 2009 by Pieter Uys
5.0 out of 5 stars Slinky pop reggae
So I've just moved home and my record collection is in complete disaray.
I want to listen to something before going on a big (and I mean big) night out but I can't find... Read more
Published on 20 Sep 2007 by Matthew Morgan
5.0 out of 5 stars CLASSIC ALBUM
A CLASSIC ALBUM FROM 1981 ONE OF MY ALL TIME FAVOURITES.
IT TAKES ME BACK TO THAT LONG HOT SUMMER WHEN I WAS CHILLING IN AMSTERDAM. Read more
Published on 30 Jan 2006 by G. V. Best
5.0 out of 5 stars Island Lady, Number one
Grace Jones is and also will be my fave singer. I fairely enjoyed all of her albums Pre as well as post Island recordings. Read more
Published on 24 Jan 2004 by Reno
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