Description
Nigerian music is known for its polyglot character, a fact that is exemplified by its native juju and highlife--a perfect storm of indigenous music traditions bolstered by Westerntechnology. Lesser-known are Nigerian attempts to adopt Western music trends wholesale, as with the exquisitely rare disco and funk groups compiled for NIGERIA DISCO FUNK SPECIAL:THE SOUND OF THE UNDERGROUND LAGOS DANCEFLOOR 1974-1979. Taking obvious cues from stateside horn-driven funk ensembles like B.T. Express, Ohio Players and the J.B.'s, the propulsive dancefloor beats are punctuated by horn blasts and the scratchy, repetitive insistence of rhythm guitars--a sound with distinctive echoes of the ringing melodicism of highlife guitar sections. Highlights on this funky slice of Afro-discoinclude: Asikos's "Lagos City", an energetic blast of African brass, and Dr. Adolf Ahanotu's "Ijere", a slick, overdriven funk number done in a distinctly Nigerian style.