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All are given really quite good performances. Clearly this orchestra and its Swedish chief conductor have this music in their bones. My own favorite of these is the evocative 'Helios Overture' that Nielsen wrote after he and his wife took a trip to Greece; it portrays the sun rising and setting over the Aegean Sea, and unlike some tone-poems, it actually conjures up in sound those phenomena. I'm particularly fond of the contrapuntal section that always makes me think, 'Aha, a fugue of sunbeams.'
The jolly 'Maskarade' Overture is another favorite of mine, but perhaps best of all is the contemplative 'Saga-Dream' ('Saga-drom'), Op. 39, that has some of Nielsen's most beautiful melodies, including some really quite Brucknerian writing for the horns. 'Pan and Syrinx', Op. 49, is thought by some to be Nielsen's finest short tone poem but it doesn't quite measure up, in my books, to that assessment. Still, it contains reminders of Nielsen's unique approach to orchestral timbre, and it includes one of Nielsen's characteristic raucous outbursts from the percussion section (similar to that in his Clarinet Concerto).
Most intriguing of all, though, is the 'Aladdin Suite.' Written in 1919 as incidental music for a play by Adam Oehlenschläger, it has all the gestures that later came, via movie music, to be associated with music from the mysterious Middle East, including the most amazing section, called 'The Marketplace at Ispahan,' that out-Iveses Charles Ives in its overlay of four distinct musics in different keys and meters; it quite effectively calls to mind the multifarious activities of a busy marketplace. It really must be heard to be appreciated. Willén and his orchestra manage to keep all four planes of sound quite distinct and yet they meld into a glorious whole.
Considering that this is a budget issue, and that is contains masterful performances of some of Nielsen's finest music, this CD is a must-buy.
TT=67:56
Scott Morrison
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