The "New Palladians" of the title of this ravishingly illustrated book are but the latest group of architects to be drawn under the spell of the sixteenth century Venetian architect, Andrea Palladio. New Palladians is timely and immediate. It effortlessly makes the case that the forty eight current architectural practices from ten different countries that it shows have enough in common to suggest a distinct tendency. This is barely a movement, still less a school; it is more a natural response to the needs of contemporary architecture and the people its serves. This new Palladianism shows itself able to be a necessary supplanting of Modernism not simply a reaction to that failed and failing movement.
The authors in their keynote text of this book, Modernity and Sustainability for the 21st Century, are not afraid to be polemical. Their criticisms of Modernism centre on its tendency to fragmentation and dislocation - not just in its architectural form but also in the pervasive influence it has on society and the environment at large.
The authors make the case that the New Palladians have an antidote to Modernism's failings. Steil writes: "New Palladians can make a difference, by establishing a very firm, very uncompromising strategy on materials, on technologies and on issues of environment" and: "New Palladians refers to a moral category of people who very profoundly, actively do something to regenerate the meaning of architecture in the context of society, politics, landscape and durable development. ... Palladio is not at all their cult figure; rather he is a master, a colleague, and a tangible and real role model."
New Palladians wholly achieves a stated goal of wresting the claim on the word modernity from Modernist architects. In doing so it establishes these architects as some of the most important currently practising. New Palladians is now the essential up to date guide to a primary aspect of currently practised traditional architecture.
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