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Product Description
Based on extensive interviews and research, this book looks at the work of six of the most important cinematographers of recent years from around the world. For each cinematographer, there is a detailed discussion of their most significant films, ranging in style from lavish Hollywood blockbusters like Gladiator, Hannibal, Seven and Alien Resurrection to innovative independent films such as Buffalo '66, Delicatessen, Elephant, The Hours and Lost in Translation. By interviewing each cinematographer, the author has been able to find out exactly how individual scenes were shot, what lighting and other equipment was used, and how certain visual effects were achieved, as well as getting a insider's view of what it is like to work on major films with high-profile directors and actors. A wealth of unpublished material: storyboards, sketches, annotated screenplays, props, location shots and lighting diagrams, together with many stills from each film which have been carefully chosen to emphasize the specific points being discussed.
About the Author
Alexander Ballinger is an expert on film and the series editor for two forthcoming series of books on film: On Directors and Inside Film.
Inside This Book
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Front Cover | Table of Contents | Excerpt | Index | Back Cover
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Front Cover | Table of Contents | Excerpt | Index | Back Cover
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Customer Reviews
Most Helpful Customer Reviews
1 of 1 people found the following review helpful
Format:Paperback
The book looks at 30 films by 6 top cinematographers and is chock full of pictures, lighting plans, and highly informative interviews. Great to read the relevant chapter after watching the DVD. Well worth getting!
Also check out Film Lighting by Kris Malkiewicz, Masters of Light, and the DVD Visions of Light.
Also check out Film Lighting by Kris Malkiewicz, Masters of Light, and the DVD Visions of Light.
1 of 1 people found the following review helpful
Format:Paperback
This book gives you an insight to the mind of the cinematographer and also the director, on how and why they decided to shoot a certain way, their influences and also their techniques. It covers, in my opinion some of the best movies of the last decade.
Most Helpful Customer Reviews on Amazon.com (beta)
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4 reviews
13 of 13 people found the following review helpful
a voyage through the gaffers glass
7 Jun 2005
Format:Paperback
New Cinematographers is a quick, thorough, and interesting read. The information is presented in a simple way that is neither too flowery nor too sparse. Divided into 6 sections, one for each cinematographer, then sub-divided for each film that is discussed. The language is not excessively technical, so a beginner should be able to understand. It is not bland for the seasoned professional though, since a lot of the techniques presented are very non-conventional. Some of the films covered are quite different than what you will find in your typical issue of American Cinematographer, whose films seem to have a limitless budget. Especially in the early part of their careers, these cinematographers, found innovation, imagination, and hard work would go a lot further toward the overrall success of the film than just a budget can allow. Highly recommended for beginner, professional, or enthusiast.
3 of 3 people found the following review helpful
pure gold
1 Feb 2007
Format:Paperback
This book is an excellent resource for cinematographers, both professional and aspiring.
Lance Acord, Jean-Yves Escoffer, Darius Khondji, John Mathieson, Seamus McGarvey, and Harris Savides all go through a step by step process of what they did to execute certain scenes. Lighting charts, set design blueprints, call sheets, storyboards, on set photography, film stills... it's all in this book. Very detailed and descriptive. In depth writing about film stocks, developing processes, filters, lights, colors... everything you could possibly imagine!
Hands down a GREAT resource, as they dissect scenes in movies they actually shot. So you can follow along while watching films such as Buffalo '66, Being John Malcovich, Lost in Translation, Gummo, City of Lost Children, Seven, The Beach, Gladiator, The Hours, and plenty more.
Definite recommendation.
Lance Acord, Jean-Yves Escoffer, Darius Khondji, John Mathieson, Seamus McGarvey, and Harris Savides all go through a step by step process of what they did to execute certain scenes. Lighting charts, set design blueprints, call sheets, storyboards, on set photography, film stills... it's all in this book. Very detailed and descriptive. In depth writing about film stocks, developing processes, filters, lights, colors... everything you could possibly imagine!
Hands down a GREAT resource, as they dissect scenes in movies they actually shot. So you can follow along while watching films such as Buffalo '66, Being John Malcovich, Lost in Translation, Gummo, City of Lost Children, Seven, The Beach, Gladiator, The Hours, and plenty more.
Definite recommendation.
New trends in cinematography
9 Aug 2008
Format:Paperback
This book provides detailed technical discussions of the methods of cinematography in a number of contemporary films by different contemporary cinematographers. It is a technical discussion of shooting techniques, lab processes, etc. and now recommended for the average reader or even the reader interested in films but not the technical details. There are frequent illustrations, though I dont believe that they are all taken from the actual film footage.
There is an emphasis on European films and cinematographers, but some American films are covered as well.
I found the book interesting but it has a narrow appeal: you must want to know about cinematography techniques but accept that you are not getting all the details of how to do the techniques. (For example, there are several areas where special lab procedures are mentioned, but not specifically what was done, for this you would presumably have to contact the lab directly.
Also with the emergence of several types of HD videography, it is too bad that some discussions of d.p.s using new electronic methods was not included.
There is an emphasis on European films and cinematographers, but some American films are covered as well.
I found the book interesting but it has a narrow appeal: you must want to know about cinematography techniques but accept that you are not getting all the details of how to do the techniques. (For example, there are several areas where special lab procedures are mentioned, but not specifically what was done, for this you would presumably have to contact the lab directly.
Also with the emergence of several types of HD videography, it is too bad that some discussions of d.p.s using new electronic methods was not included.
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