- Paperback: 300 pages
- Publisher: Harper Perennial (1 Sep 2008)
- Language English
- ISBN-10: 0007302967
- ISBN-13: 978-0007302963
- Average Customer Review: 3.0 out of 5 stars See all reviews (131 customer reviews)
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'Netherland is so expertly woven that it is impossible for a reader not to admire what it essentially is - a beautifully written exploration of memory and self.' Sunday Telegraph
'The wittiest, angriest, most exacting and most desolate work of fiction we've yet had about life in New York and London after the World Trade Centre fell. I devoured it in three thirsty gulps, gulps that satisfied a craving I didn't know I had. O'Neill seems incapable of composing a boring sentence or thinking an uninteresting thought.' New York Times
'O'Neill writes about cricket with an insider's knowledge and a metaphorical sweep. The result is the first great American novel underpinned by a deep understanding of the complexity of spin bowling. A novel full of vividly descriptive passages that possess a heightened, almost hallucinatory, brilliance. A great American novel with an ordinary European everyman at its centre.' Observer
'Elegant and profound' Sunday Times
'Extraordinary. O'Neill is a writer of dizzying elegance.' FT
'It is hard to know which is stranger - that a great American novel has been written about cricket, or that a great cricket novel should be set in America. But both are true. Netherland is ambitious, intelligent and deeply perceptive.' The Times
'New York is not what most people imagine it to be. Just as marriage, family, friendship and manhood are not. “Netherland” is suspensful, artful, psychologically pitch-perfect, and a wonderful read. But more than any of that, it's revelatory. Joseph O'Neill has managed to paint the most famous city in the world, and the most familiar concept in the world (love) in an entirely new way.' Jonathan Safran Foer
‘O'Neill writes a prose of Banvillean grace and beauty, shimmering with truthfulness, as poised as it unsettling. As well, this is a story that is hard to put down, for its characters are so real and their preoccupations so urgently of the now, that the book has the vividness of breaking news. He is a master of the long sentence, of the half-missed moment, of the strange archeology of the troubled marriage. Many have tried to write a great American novel. Joseph O'Neill has succeeded.’ Joseph O’Connor
'Somewhere between the towns of Saul Bellow and Ian McEwan, O'Neill has pitched his miraculous tent … The reader, almost imperceptibly, becomes little by little scorched by the novel's brilliance, irradiated by it, benignly." Sebastian Barry
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