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Neon Noir: Contemporary American Crime Fiction
 
 
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Neon Noir: Contemporary American Crime Fiction [Paperback]

Woody Haut


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Product Description

Product Description

Neon Noir, the follow-up to Woody Haut's highly regarded Pulp Culture, brings the story of American crime fiction and film uptodate. From the Kennedy assassination to the Vietnam War and Watergate, through Reaganomics to Irangate and Whitewater, Neon Noir is a roller-coaster ride through the American nightmare. Haut investigates the dark side of America through the work of crime writers such as James Ellroy, Elmore Leonard, Walter Mosley, James Lee Burke, Lawrence Block, James Sallis, George Pelecanos, Charles Willeford, Jerome Charyn, Sara Paretsky, Vicki Hendricks, KC Constantine, George V Higgins and James Crumley. Mapping the fissures and scars of America's psychogeography, its morally ambiguous shadowlands, Neon Noir also considers the difference between past and present hardboilers, the impact of war and journalism on noirists, the portrayal of cities, the aesthetics of crime fiction, and the changing relationship between the books and the films. Like Pulp Culture, Neon Noir is set to become the reference book on its subject.

About the Author

Born in Detroit in 1945, Woody Haut grew up in Pasadena, California, attended San Francisco State University, and has lived in Britain since the early 1970s. Presently a London-based journalist, he has worked as a college lecturer, taxi-cab driver, record shop assistant, cinema programmer and Labour Editor for Rolling Stock magazine (US).

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Crime writer Eugene Izzi is found dangling from the window of a fourteenth storey office block in Chicago. Read the first page
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Amazon.com:  1 review
6 of 6 people found the following review helpful
New Noir 21 Jun 2000
By A Customer - Published on Amazon.com
Format:Paperback
Like many people, I often wondered why more fim noir films aren't made. Neon Noir gives a simple answer: they are. It examines how film noir has changed since the 50's and who makes them. It also analyzes contemporary film noir and attempts to explain why film noir has changed as it has.

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