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Nausea (Penguin Modern Classics)
 
 
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Nausea (Penguin Modern Classics) [Paperback]

Jean-Paul Sartre , James Wood , Robert Baldick
4.1 out of 5 stars  See all reviews (23 customer reviews)
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Product details

  • Paperback: 272 pages
  • Publisher: Penguin Classics; New Ed edition (30 Nov 2000)
  • Language English
  • ISBN-10: 014118549X
  • ISBN-13: 978-0141185491
  • Product Dimensions: 19.4 x 12.8 x 1.8 cm
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (23 customer reviews)
  • Amazon Bestsellers Rank: 3,430 in Books (See Top 100 in Books)

More About the Author

Jean-Paul Sartre
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Product Description

Product Description

In this novel, Antoine Roquentin, an introspective historian, records the disturbing shifts in his perceptions and his struggle to restore meaning to life in a continuing present and without lies. This is Sartre's first published novel and his first extended essay on existential philosophy.

About the Author

Philosopher, novelist, playwright and polemicist, Jean-Paul Sartre is thought to have been the central figure in post-war European culture and political thinking. His most well-known works, all of which are published by Penguin, include THE AGE OF REASON, NAUSEA and IRON IN THE SOUL.

Inside This Book (Learn More)
First Sentence
In a lecture delivered in 1945, Jean-Paul Sartre described existentialism as 'the attempt to draw all the consequences from a position of consistent atheism'. Read the first page
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Front Cover | Copyright | Excerpt | Back Cover
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Customer Reviews

23 Reviews
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 (9)
3 star:
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Average Customer Review
4.1 out of 5 stars (23 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

61 of 63 people found the following review helpful:
5.0 out of 5 stars magnifique!, 10 May 2002
By A Customer
This review is from: Nausea (Penguin Modern Classics) (Paperback)
When I initially picked this book up, I couldn't wait to put it down again. As a student of philosophy it was required reading and every time I would pick it up I could just about manage to read a page or two and would then have to reconcile it to the pile in the corner, to be attempted again when I could muster the strength to drag myself through the apparently relentless waffle. Came the day when I could procrastinate no longer and I found to my utter surprise that when I really submerged myself in the text it utterly came alive. I believe that many may have perhaps missed the beautiful, humorous irony secreted within the pages of this book. It is indeed the tale of the existential struggle of the 'despairing' consciousness; a consciousness desperately seeking certainty in a wholly contingent universe in which existence knows no beginning. There are moments of rare, sublime beauty as Roquentin seeks to define himself purely by self-reflecting - there is no significant 'other' that can give meaning to one's life; the answers - if there are any - are all to be found within. The pathos and tragedy of his relationship with Anny made my heart almost implode. There are moments of incredibly raw, real beauty within this book, along with some wonderfully observed reflections on the human condition. Absolutely not to be missed.
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61 of 66 people found the following review helpful:
4.0 out of 5 stars A good, but obscure book, 11 Nov 2003
This review is from: Nausea (Penguin Modern Classics) (Paperback)
I can see how it might be easy for someone to dislike this book: its central concern is the main character's inability to act, which for some might go against the very point of writing a story. But Sartre's genius comes in being able to highlight the many different sides to a seemingly simple problem.

This was (I think) Satrte's first published work of fiction, and really its an exposition not of his ability to handle multiple stories and different narrative styles, but of the philosophical ideals which he went on to write in Being and Nothingness. If you can't tolerate existentialism in its rawest form, its probably not worth trying to enjoy this book.

The story is essentially about a man who lives alone in a small French town, attempting to produce a book on the Marquis de Rollebon, an obscure french noble, having up until this point lived what he had previously believed to bed a fulfilled life. But in the writing of the book he soon comes to question what he is doing with his life now, and whether in fact he has ever lived. He soon finds himself falling apart, as he looks in the mirror, the deeper he looks the less he recognises in his own face.

The book is, due to its subject matter, a very isolating experience: Roquentin only really comes into contact with two people, both of whom he resents absolutely. Its the expression of an angry young man, angry as much at himself as at the world and other people. In this way it is hard to stomach, but this is what Sartre intended, hence the title. Every time Roquentin feels himself overwhelmed by his disgust at being alive he feels the nausea overcome him. This makes the book at times, for those who are able to empathise with Roquentin, very uncomfortable reading, but through this it s very rewarding, when we, with him, see some hope behind his anguish, some conclusion to it. Much like Camus's Le Etranger it is in the height of his suffering that he reaches real elation of self-knowledge.

In fact Camus's work is a good book to compare it to. That in itself is a fairly short and sparse work, and both describe a character who are confronted by the absurdity of their life. The difference however is the lack of a political edge to Sartre's work (though he does criticise humanism): Roquentin brings his suffering upon himself, while Camus's character is the victim of a legal system. For me, Sartre's approach is preferable, though others might prefer a character who is less passive than Sartre's.

Sartre's book is a book with we can question ourselves. Some might prefer his later more political orientated works, but for its intensity, Nausea is for me the more complete work. I gave it four only because it makes such difficult reading, describing both complex and disturbing issues about an individual's worth.

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14 of 15 people found the following review helpful:
4.0 out of 5 stars Changes your perceptions of yourself, others and the world, 21 Nov 1998
By A Customer
Sartre's first novel can be a terrifying and brutal unmasking of the nature of existence. It is one of those books that grabs your attention and forces you to deal with your own response to the writing. I was so caught up in the protagonist's developing understanding of who he was and what his life actually meant that I hardly noticed the style of writing. The power of description of his awakening consciousness is very powerful and subtly builds throughout the book, leading to an ending with a strange feeling of euphoria and freedom.
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