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Around this supporting central theme, Figes has constructed an imposing edifice. The range of his knowledge and the sureness with which he deploys it are very impressive. Whether writing about the music of Stravinsky and Shostakovich or the novels of Tolstoy and Dostoevsky, the buildings of St Petersburg or the poetry of Akhmatova, he has something new and original to say. The great cultural achievements of Russia often seem, for those who have only a little knowledge of Russian history, like giant mountains suddenly rising out of featureless terrain. Figes's excellent book gives them a context and fills out many of the details of the surrounding landscape.--Nick Rennison --This text refers to an out of print or unavailable edition of this title.
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One thing that might be viewed as a certain deficiency is the author's bias. He shows occassional tendency to put down widely recognized authors and diminish their credit (Tolstoy, Bunin, Dostoyevsky, Rimsky-Korsakov) and on the other hand, he seems to spend way too much time on two women poets, Akhmatova and Cvetaeva, because he likes them, and their life stories suit his story-telling purposes.
This is all great - if you already know something about the subject, it's very interesting to confront your (or generally accepted) views and experience with a different point of view, that is nonetheless very intelligent and stimulating. But if you are a newcomer, it might give you a slightly distorted view of things. So if you bear in mind that this book is more of a personal confession of passion for and vast knowledge of Russian culture rather than an "academic" overview, you will not be disappointed. Also, the book is a great reference, so it's really worth buying to have it handy.
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