Of the thirteen tracks on this album, which is entitled simply `Natasha Marsh', five of them appear on her debut from the previous year. Yes, a little cheeky maybe but I've seen far worse sins - like repeated `best of' albums which include the same tracks as the last `best of', or `special edition versions' which are simply the original album plus a bonus disc of a few Christmas carols!
Good artists enjoy singing - Natasha Marsh has certainly filled the year between these two albums with many concert performances - while good record labels, EMI in this case, make money for themselves and their artists by selling records.
While I'm a little disappointed that the follow up to `Amour' is a slight hybrid of that debut, the eight new songs on this album I do consider worthy of consideration.
The opening `Queen of the Night' is an adaptation (by John Haywood and Rick Blaskey) of `Der Holle Rache' from Mozart's Magic Flute opera. Written specially for ITV Sport's Euro 2008 Football TV theme, it's a clever adaptation, which starts with strains of Handel's `Zadok the Priest' (yes, ITV's Champions League football theme music!) and develops into a dramatic full orchestra performance culminating in a thrilling vocal finale to rival many a recent `Nessun Dorma' rendition.
Other reasons to recommend this album are the duets of new songs with Alfie Boe, Gardar Cortes and Blake. Those names, added to Queen of the Night - which would have been a nice title for the album - make this a worthwhile release.