Jubilee Offer: Patriot Classics for £2.50 |
Frequently Bought Together
Product details
|
Track Listings
| 1. That's How I Got To Memphis |
| 2. Seems Like You're Gonna Take Me Back |
| 3. Tomorrow Is Forever |
| 4. Ain't Got You |
| 5. Valley Of Tears |
| 6. Honey Where's The Money Gone |
| 7. Atta Way To Go |
| 8. Millionaire |
| 9. Up The Mountain |
| 10. Does My Ring Burn Your Finger |
| 11. Vicious Circle |
| 12. We're Gonna Hold On |
| 13. You're The Kind Of Trouble |
| 14. 'Til I Get It Right |
Product Description
Description
Solomon Burke, the King of Rock'n'Soul, completes his 21st century trilogy with Nashville, a collection of country songs produced by Buddy Miller and recorded at his Nashville home. Solomon returns to one of his first loves, country music, after the GRAMMY® Award-winning Don't Give Up On Me and the GRAMMY®-nominated Make Do With What You Got. (His breakthrough 60s singles on Atlantic Records were in a country vein.) Nashville contains Solomon's soulful versions of classic country and country-tinged songs (by Tom T Hall, George Jones, Dolly Parton, Bruce Springsteen, Don Williams and others) and previously unrecorded soon-to-be standards by Patty Griffin and Gillian Welch, who also contribute vocals. Country divas Emmylou Harris, Dolly Parton, and Patty Loveless also make guest vocal appearances. It all adds up to one of the most affecting marriages of country and soul ever recorded.
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
Customer Reviews
Most Helpful Customer Reviews
19 of 20 people found the following review helpful
Format:Audio CD
As a previous reviewer already pointed out, at least in terms of artistic depth if not style, Nashville is a worthy successor to the wonderful "Don't Give Up On Me."
Although--if you read recent interviews--his love for Country is well known and nurtured over many years, it is stunning to see how such an accomplished Soul and R&B artist can be so at home with these Country & Western ballads and Honky-Tonk rousers.
Particularly in songs like his duets with Parton and Patty Griffin--both quite gorgeous--or That's How I Got To Memphis, Valley of Tears with Gillian Welch, Atta Way To Go and 'Til I Get It Right--this album's equivalent to "The Other Side Of The Coin"--Burke pours his heart and elevates these songs to the level of hymns. Yet, this is a different kind of Gospel, the gospel a man sings about the troubles of men and women trying to love each other or just making it through another day.
Lastly, in addition to the talented women offering their voices in these tracks--count Emmylou and Patty Loveless too--there's another gentleman to be thanked for this beauty of an album. Producer Buddy Miller's spins the poetry of his arrangements, realizing a sound that's just right for the intimate feel of these songs.
Brother Solomon is back, finally recording the Country album he has wished to make for so many years, proving that a great voice and a huge heart can cross any musical boundaries, making the long wait ever so worthwhile.
Although--if you read recent interviews--his love for Country is well known and nurtured over many years, it is stunning to see how such an accomplished Soul and R&B artist can be so at home with these Country & Western ballads and Honky-Tonk rousers.
Particularly in songs like his duets with Parton and Patty Griffin--both quite gorgeous--or That's How I Got To Memphis, Valley of Tears with Gillian Welch, Atta Way To Go and 'Til I Get It Right--this album's equivalent to "The Other Side Of The Coin"--Burke pours his heart and elevates these songs to the level of hymns. Yet, this is a different kind of Gospel, the gospel a man sings about the troubles of men and women trying to love each other or just making it through another day.
Lastly, in addition to the talented women offering their voices in these tracks--count Emmylou and Patty Loveless too--there's another gentleman to be thanked for this beauty of an album. Producer Buddy Miller's spins the poetry of his arrangements, realizing a sound that's just right for the intimate feel of these songs.
Brother Solomon is back, finally recording the Country album he has wished to make for so many years, proving that a great voice and a huge heart can cross any musical boundaries, making the long wait ever so worthwhile.
18 of 19 people found the following review helpful
Format:Audio CD
Solomon Burke's venture into country music, Nashville, is a true departure. We all know how the singer was interested in Gene Autry and Roy Rogers from an early age. Still, "Just out of Reach", was a country song adapted to the soul idiom.
On this album however, Burke surrounds himself with country musicians and immerses himself fully in the country idiom, and it works!
Then there is the intimacy of the affair. The album was recorded in Buddy Miller's home and wouldn't I have loved to have been a fly on the wall during those sessions.
"That's How I Got To Memphis", the first track, is just Solomon's voice with guitar and bass. Burke's voice and phrasing here is commandeering and conspiratorial at the same time.
"Seems Like You're Gonna Take Me Back" and the Springsteen written "Ain't Got You" are treated as jolly hoedowns. At the end of the latter song Burke is heard wondering whether his fellow musicians "have got religion. Hilarity ensues.
Of the duets, the one with Dolly Parton works least but "Valley of Tears" with Gilian Welch is a gem. At the end Burke just cannot bring himself to part with his listeners, repeating the main phrase over and over again until he finally just whispers it to himself. As I said : Intimacy!
The phrasing in "Honey Where's The Money Gone" hints at disappointment and resignation. It's a sad story but as the accompaniment gently swings along you can't help smiling. "Atta Way To Go", which follows it, is another song of lost love, but what a contrast! Here, bitterness if not anger set the scene.
Amongst the other tracks two more duets stand out. "You're The Kind Of Trouble" featuring Patty Loveless is joyful and even suggestive at times. Which brings me to my favourite track, "We're Gonna Hold On", a duet with Emmy Lou Harris. Burke and Harris sing along as if they have known one another all their lives. Comfortable like your favourite pair of jeans, fullblooded and warm like a second glass of wine from the best bottle of red wine you ever tasted. Those comparisons were originally just meant for the Burke Harris duet. They apply even more to this album as a whole and to Solomon Burke as a singer.
Listen to Nashville and let the big man from Philadephia be your friend!
On this album however, Burke surrounds himself with country musicians and immerses himself fully in the country idiom, and it works!
Then there is the intimacy of the affair. The album was recorded in Buddy Miller's home and wouldn't I have loved to have been a fly on the wall during those sessions.
"That's How I Got To Memphis", the first track, is just Solomon's voice with guitar and bass. Burke's voice and phrasing here is commandeering and conspiratorial at the same time.
"Seems Like You're Gonna Take Me Back" and the Springsteen written "Ain't Got You" are treated as jolly hoedowns. At the end of the latter song Burke is heard wondering whether his fellow musicians "have got religion. Hilarity ensues.
Of the duets, the one with Dolly Parton works least but "Valley of Tears" with Gilian Welch is a gem. At the end Burke just cannot bring himself to part with his listeners, repeating the main phrase over and over again until he finally just whispers it to himself. As I said : Intimacy!
The phrasing in "Honey Where's The Money Gone" hints at disappointment and resignation. It's a sad story but as the accompaniment gently swings along you can't help smiling. "Atta Way To Go", which follows it, is another song of lost love, but what a contrast! Here, bitterness if not anger set the scene.
Amongst the other tracks two more duets stand out. "You're The Kind Of Trouble" featuring Patty Loveless is joyful and even suggestive at times. Which brings me to my favourite track, "We're Gonna Hold On", a duet with Emmy Lou Harris. Burke and Harris sing along as if they have known one another all their lives. Comfortable like your favourite pair of jeans, fullblooded and warm like a second glass of wine from the best bottle of red wine you ever tasted. Those comparisons were originally just meant for the Burke Harris duet. They apply even more to this album as a whole and to Solomon Burke as a singer.
Listen to Nashville and let the big man from Philadephia be your friend!
3 of 4 people found the following review helpful
Format:Audio CD
Ray Charles once described Country music as white soul music. This recording may be the best illustration of that in years. Solomon Burke sounds great and seems to really love the songs, and the cast of people backing him up couldn't be better. His duets with Dolly Parton and Emmylou Harris are some of the best work any of them have done recently. Sadly the whole thing sounds as if it was recorded with the idea that it would only be listened to on ship-to-shore radio. The dynamics have been completely flattened and the bass is amped up to levels rarely found except in gangsta rap. Jeff Palo, who produced this mess, should seriously get his hearing checked, either that or find another line of work. He's managed to totally screw up what could have been one of the best southern soul recordings of the last 20 years. It's almost an act of vandalism.
Would you like to see more reviews about this item?
Were these reviews helpful?
Let us know
Customer Discussions
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
What Other Items Do Customers Buy After Viewing This Item?
Listmania!
|
|
Look for similar items by category
- Music > Pop
- Music > R&B & Soul
Look for similar items by subject
Feedback
- Would you like to update product info or give feedback on images?
|
