- Audio Cassette (9 Feb 1993)
- Format: Import
- Label: Capitol
- ASIN: B00000EF2C
- Other Editions: Audio CD | MP3 Download
- Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
Product details
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| 1. Save Your Love for Me |
| 2. Never Will I Marry |
| 3. Old Country |
| 4. Happy Talk |
| 5. Masquerade Is Over |
| 6. Sleepin' Bee |
| 7. Little Unhappy Boy |
| 8. Teaneck |
| 9. I Can't Get Started |
| 10. One Man's Dream |
| 11. Never Say Yes |
| 12. Unit 7 |
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So, being an amateur professional jazz singer and professional criminal law hack, what do I know, and who am I to argue with the 73? All I can say is, as Mingus once put it, "I know what I know."
And, to begin with, this is definitely 5 stars. Nancy Wilson's control is outstanding; I've heard opera singers who can hold a note for seemingly ever without losing pitch or focus, but she's the best non-classical singer I've ever heard for that. And, her ability to put power on straight tones in her upper register, without losing focus, is likewise unsurpassed amongst any other jazz singer I've heard.
Likewise, her interplay with the instrumentalists here is tremendous. Whether it is with Zawinul on "Masquerade", Sam Jones on "Sleepin' Bee", Nat Adderley on "Save Your Love for Me", or Cannonball on just about everything, she very definitely is not just "some chick singing with the band." In fact, she sounds like a tremendous trumpet--reminiscent of Miles, whose "Kind of Blue" with Cannonball Adderley was released about the time that these 6 went into the studio.
So why do I disagree with the "All-Time Best" label? Because at times (not always, but at times) Nancy Wilson seems almost emotionally detached from the material she sings. The 73's #2 selection was John Coltrane and Johnny Hartman, and Mr. Hartman is with that material emotionally 100% of the time. In contrast, for example, I think the New York Voices give "Save Your Love for Me" more heart than does Nancy Wilson; ditto viz. Janis Siegel and "The Masquerade Is Over."
Bottom line: I can't disagree with the "All Music Guide to Jazz", 4th ed., when they say "Why any serious jazz collection would be without this classic album is difficult to comprehend." Buy this album for that reason alone. But I'm not prepared to say this is better than the Coltrane/Hartman, or Billie Holiday on Commodore, by any means.
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