Nana
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Product Description
Product Description
Nana opens in 1867, the year of the World Fair, when Paris, thronged by a cosmopolitan élite, was la Ville Lumière, a perfect victim for Zola's scathing denunciation of hypocrisy and fin-de-siècle moral corruption. The fate of Nana, the Helen of Troy of the Second Empire, and daughter of the laundress in L'Assommoir, reduced Flaubert to almost inarticulate gasps of admiration: `Chapter 14, unsurpassable! ... Yes! ... Christ Almighty! ... Incomparable ... Straight out of Babylon!' Boulevard society is presented with painstaking attention to detail, and Zola's documentation of the contemporary theatrical scene comes directly from his own experience - it was his own failure as a playwright which sent him back to novel-writing and Nana itself. novel-writing and Nana itself. This new translation is an accurate and stylish rendering of Zola's original, which was first published in 1880.
About the Author
Douglas Parmée is a retired Fellow of Queens' College, Cambridge. He now lives in Adelaide, South Australia.
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First Sentence
AT nine o'clock the auditorium of the Varietes was still deserted. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
AT nine o'clock the auditorium of the Varietes was still deserted. Read the first page
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Concordance
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Most Helpful Customer Reviews
32 of 32 people found the following review helpful:
5.0 out of 5 stars
A female rake's progress,
By A Customer
This review is from: Nana (Classics) (Paperback)
This is a fantastic book - powerful in its critical exposure of the decadence and moral emptiness of its characters and their environment, as well as of the social and political backdrop in which the novel is set. Nana is a product of the Parisian underclass, and this is the story of her rise from the gutter, how she uses her body to capture the attentions of wealthy, foolish middle-aged men, and how she brings down destruction on all those she entraps and manipulates. It is a highly moral tale, despite the fact that the book initially suffered from the censors of the day. Zola's descriptions of the sleazy Paris theatre house where Nana is first discovered - he always meticulously researched his subjects - are totally convincing and evocative of the era and location. Nana rises and falls, and rises again, she is an embodiment, a symbol of all that Zola found rotten and corrupt in the politics and society of his day. Please buy this book - it is unforgettable - the gruesome final paragraph of the novel will stay in your mind forever.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Zola's masterpiece,
By Lulu (France) - See all my reviews
This review is from: Nana (Oxford World's Classics) (Paperback)
With l'Assommoir, the best novel by Zola. This story of a young courtisane who breaks all rich men's hearts is a metaphor for the revenge of the working class against the bourgeoisie. Nana avenges the poor in her own way, she never forgets her origins, and that is what will be her downfall, eventually.
I also highly recommend the TV miniseries 'Nana' with Véronique Genest, broadcast in the 80's (available on amazon.fr). You'll agree that generally, film adaptations of novels are disappointing, in that case it's not. The adaptation is brilliant and perfectly captures the novel's atmosphere; the actress Veronique Genest incarnates a wonderful Nana, very faithful to the essence of the character. But read the novel first!
5.0 out of 5 stars
classic,
By
This review is from: Nana (Classics) (Paperback)
What can I say? Classic novel, great price, arrived in good condition in good time
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