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_The Names_ is moving in its description of the ceremonies of Jemez Pueblo and the stories of Momaday's family. The author writes sometimes in a child's voice and sometimes in his grandfather's or the voices of others around him. It is clearly a child's story, saturated with a child's sense of wonder. But Momaday also provides an account of the process of attempted recovery, the descent into storytelling: "The first word gives origin to the second, the first and second to the third, . . . and so on. You cannot begin with the second word and tell the story, for the telling of the story is a cumulative process, a chain of becoming, at last of being."
Momaday's exploration of language's structure and limitations makes much of the book beautiful to me, but gets weighted down in intellectualization from time to time. Scott Momaday is a scholar -- he went to Stanford -- and the analytical aspect of _The Names_ can be a bit dry at times. It is, on the whole though, a sensitive and moving exploration of a Native American childhood and one of my favorite male autobiographies.
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