Robert Goddard has written some truly outstanding novels. The best are Past Caring, In Pale Battalions, and Painting the Darkness. I reread those books every couple of years, I've sent numerous copies to friends via Amazon, and I keep 3-4 copies around myself just in case I lose one or loan a copy and at that moment have an urge to read the book again. Goddard's books usually center on the unearthing (sometimes literally) of secrets and events from 20 to 40 years back. He's a master of this genre, with the genre's prototypical example being Du Maurier's Rebecca. The only other master who comes to mind is Ross MacDonald--if you havent't read any of his Lew Archer mysteries and enjoy Goddard's novels, give them a try.
Name to a Face features secrets from 10, 270, 300, and 650 years back. The book starts off in a promising fashion, with the protagonist Tim Harding finding himself in the middle of a swirl of strange events which almost everyone else seems to know more about than he does: this kind of situation is usually a Goddard signature--reminiscent of Kafka's The Trial, but not so ubiquitous. But as Harding learns more, the pace seems to slow rather than to accelerate, unlike in Goddard's best works. The last part of the book almost seems to create more loose ends than to tie them up--it feels as if Goddard has put together parts from different books. I felt myself pausing and saying "What on earth is going on here?". One of the major themes of the early part of the book, if you want a bad and mixed metaphor, turns out to be kind of a red herring in the stargazy pie (popular in Penzance).
So if you enjoy Goddard's novels, this is not bad--but it also is not one of his best works--read the book. If you haven't read any of Goddard's novels, don't start with this, you might not read any of the others. Start with Past Caring, and continue on to Pale Battalions and Painting the Darkness--all three are truly deserving of a 5-star rating.