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Product Description
Product Description
At its simplest, this is a book about walking: the funny and touching account of the author's walk across the heart of the English countryside in the footsteps of Edwardian oak tree planter Charles Hurst. What Phil Smith found was a countryside littered with beer cans and 100 years of change, punctured by cars and populated by an extraordinary cast, each with a story to tell about their connection to the places they call home. But Phil Smith is no ordinary walker. Consistently one of Europe's most exciting and innovative performance artists, he has made 'walking sideways' into an art. Later in the book, his 'handbook of drifting', 'tool bag of actions' and 'the orrery' offer a whirlwind of ideas on how to walk like a stalker, a swimmer, a ghost, an explorer, a pilgrim...As he says: Mythogeography is a way of walking, thinking and organising on many levels at the same time. Anyone can do it. You can do it...By setting ourselves in motion through a world of images we make ourselves human movie cameras or camera phones - both interpreters and producers. By the particular focuses and the angles of trajectory we choose, we make an interpretation of our world, and from our impressions we begin to re-make its meanings. The productions that follow from these experiences - a conversation in a bar, a procession, a conspiracy, a plan, a map, an organisation, a gesture - are what mythogeography is. At another level, "Mythogeography" celebrates a loose weave of artists, teachers, activists and walkers whose practices have, in the last decade, taken up where psychogeography left off and started to bring together a range of disciplines and activisms including site-specific artists and performers, urbanists, derivistes, philosophers, drifters, geographers, anthropologists, film-makers and sociologists. On this plane, "Mythogeography" is a handbook for tripping up the ordinary. As the author says: Drawing on a history of Dadaist deambulation, situationist derive, dematerialised land art, mad-dog marketeering and activist intervention, it weaves between totalising utopias and defeatism, while skulking in holy places, trading under fake colours and planning its next false flag operations. It provides a series of theoretical investigations into the underpinnings of resistant walking - in myth, in cellular and spiral organisation, in the dematerialisation of sculpture and the 'tight organisation' of the drift. All this in the guise of a mystery about walkers. Deceitful and hopeful, this is the first manifesto of a new kind of everyday: Walking 4.0. In short, walking isn't what it used to be. It's been deconstructed, theorised, analysed, performed, philosophised, disgraced and reinvented. This is a book about what walking has become.
About the Author
Phil Smith, the CrabMan, is an academic, writer and performer who, for 20 years, has worked mainly as a playwright in experimental, physical, community and music theatres. Over 100 of his plays have been professionally produced. Since 1980 he has been the dramaturg at TNT Theatre, Munich. Since 1998, as part of the Wrights & Sites group, he has also worked on site-based and walking-related performance, and subverted forms of the guided tour. The idea of "mythogeography" arose within the work of Wrights & Sites to describe their efforts to free heritage and touristic sites from monolithic identities. Phil has numerous other collaborative projects under way: a 2-year research and performance project on one city street; a week-long, geology-oriented walking/performing project; making three films with filmmaker Siobhan McKeown. Finally, he is conducting 3 years' funded research at Plymouth University.
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Most Helpful Customer Reviews
1 of 1 people found the following review helpful
Format:Paperback
I'm not sure how a review can do this wondrous compendium justice. It animates the world with meaning; not the fake cliched meaning of the heritage industry, but the realities, often uncomfortable, that create and conjoin the structures around us. It ranges from the radical geography of Doreen Massey, to the superb storytelling of Crab Man; it can refer to the urban paranoia of anonymous 1980s writers, and the oak tree wanderings of an acorn planting engineer in 1910. I haven't started at the beginning and read to the end, I've dipped in and come out with something new every time - something that further enhances my view of my surroundings, and develops my critical faculties. And yet - the book isn't a collection of bits, it is a cohesive whole, with a consistant philosophy and outlook. Perhaps, as suggested by the cover, it is a tool box as much as a book.
It should be central to any library - placed between the Bible and the Book of Sodom.
It should be central to any library - placed between the Bible and the Book of Sodom.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
1 review
How to order it
10 Mar 2010
Format:Paperback
Here's what Kirsty from www.frillipmoolog.co.uk said:
The Lovely [edition] arrived yesterday. I'm loving it!
Sadly I can't just sit reading all day so am having to keep popping back to it. It's delicious. It's like sucking a sweetie. You savour it and the taste stays in your mouth even when you're not reading. ( I am usually a sweetie cruncher but Walking Sideways needs much more respect.) So exciting to enter this wonderfully anarchic world.
I am no writer so I am marveling at it ...and I have only dipped my toe into the book so far...But Walking Sideways is brainy stuff and requires concentration. Not that that helps. So maybe a bag of boiled sweeties to go with it. ( I am Scottish so Sweeties are necessary)."
and here's what Ctrl-N/ Journal says
"The fragmentary and slippery format recognises the disparate, loosely interwoven and rapidly evolving uses of walking today: as performance, as exploration, as urban resistance, as activism, as an ambulatory practice of geography, as meditation, as post-tourism, as dissident mapping, as subversion of and rejoicing in the everyday. `Mythogeography' celebrates that interweaving, its contradictions and complementarities, and is an attempt at a handbook for those who want to be part of it."
The Lovely [edition] arrived yesterday. I'm loving it!
Sadly I can't just sit reading all day so am having to keep popping back to it. It's delicious. It's like sucking a sweetie. You savour it and the taste stays in your mouth even when you're not reading. ( I am usually a sweetie cruncher but Walking Sideways needs much more respect.) So exciting to enter this wonderfully anarchic world.
I am no writer so I am marveling at it ...and I have only dipped my toe into the book so far...But Walking Sideways is brainy stuff and requires concentration. Not that that helps. So maybe a bag of boiled sweeties to go with it. ( I am Scottish so Sweeties are necessary)."
and here's what Ctrl-N/ Journal says
"The fragmentary and slippery format recognises the disparate, loosely interwoven and rapidly evolving uses of walking today: as performance, as exploration, as urban resistance, as activism, as an ambulatory practice of geography, as meditation, as post-tourism, as dissident mapping, as subversion of and rejoicing in the everyday. `Mythogeography' celebrates that interweaving, its contradictions and complementarities, and is an attempt at a handbook for those who want to be part of it."
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