"Concise plot, effective libretto. I haven't heard this recording yet - I opted for the Naxos recording (B00000DAJF) over Hogwood's to avoid Thomas's ham, Bowman's bleating and Hogwood's conducting."
"One of Handel's most dramatic and wellpaced oratorios and a good choice if you wish to avoid the more religious ones. If only Minkowski would record it . . . Miles, Dawson and Ainsley are superb."
"/B00006JO45 God gets the girl: a fairly awful story spoiled thus, but saved by a well-written, dramatic libretto - and Handel's clever, wonderful setting. Superb soloists, orchestra and conductor."
"A dark tale, with a brilliant libretto (adapted from Milton), of reckless emotion, seduction, mixed loyalties and extreme prejudice. An exquisite recording but far too complete. Try B00004TSHU too."
"There's displeasing dullness about the sound quality, von Magnus' English is accented and Elwes is ugly. But there's little choice: even McGegan's recording is problematic with its leaden orchestra."
"Possibly Harnoncourt's most successful recording of an oratorio by Handel, though I'd rather hear Catherine Wyn-Rogers or Della Jones than Maureen Lehane as Cyrus and someone sweeter as Nitocris."
"Apart from James Bowman's disgusting bleating and hooting (if only Taylor or Daniels would record it) this is an otherwise decent recording of a somewhat under-rated oratorio."
"Thank goodness for Christie & LAF; the soloists are perfect . . . (Gritton just didn't get it; her singing is thoughtless, with poor acting ability, and she tends to sounds as if she's about to puke)."
"I was pleasantly surprised by this recording. I knew I would like Lorraine Hunt; not only is she wonderful, but the whole recording hangs together very well. However, I am not a fan of David Thomas."
"or B000E8N7QM. There is little in the way of a plot - more a series of tableaux. A great oratorio, however. The singers are excellent, especially Della Jones as the Second Harlot."
"An excellent recording, though how Beauty can take Counsel (Truth) seriously when he has a voice like that I do not know . . . really should have used a contralto, not a countertenor (Falsettist)."
"Simply ingenious; excellent soloists. Unfortunately, the recent recordings by King and Nelson do not do the work justice, if only because of the soloists. I await a recording by Christie & LAF."
"One of the finest recordings available. Try Pinnock's recording and for Lorraine Hunt, McGegan's highlights (B00005UONC - or the full recording: B0000007D4)."
"Ann Hallenberg is, for me, the star of this excellent recording. Try Minkowski's recording too (Jennifer Smith is superb in her performance of "Lascia la spina" - B000009JF7)."