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In the late 16th century, during the final years of the reign of Ottoman Sultan Murat III, a great work is commissioned, a book celebrating the Sultan's life. The work is conducted in secret, to the ignorance of the artists involved, for fear of a violent religious reaction to the European style of the illuminations in the book. An artist goes, missing, feared dead, and Black, a painter who has been in a self-enforced exile because of spurned love, returns to help his former Master investigate the disappearance.
Pamuk's prose is as exquisite and rich as the elucidations it describes. This is a dense, atmospherically fevered book, which demands a high level of patience and attention from the reader, perhaps mirroring the patience of the miniaturists. Written in the first person, with multiple narratives, this is a book full of unreliable witnesses, and as the various stories of the narrators unfold, the truth of the disappearance slowly emerges. The sense of place and time are carefully constructed and diligently maintained throughout the novel, which, like Umberto Eco's The Name Of The Rose, far exceeds the genre of literary historical crime to become a hypnotic meditation on religion, love, time, patience and artistic devotion. --Iain Robinson --This text refers to an out of print or unavailable edition of this title.
The Everyman's Library Edition. A handsome book with a terribly designed dust wrapper - Look at it! A venetian blind pattern and the authors name obscures a picture of the author. Read morePublished 5 months ago by J. M. Jeffreys
Must be up there as one of the best books of the decade. So incredibly well written and so clever and illuminating!Published 5 months ago by Sennals
unusual in content and structure ,subject matter gave me a different view on ottoman culture and historyPublished 6 months ago by Rozzie
Beautifully written and a fascinating insight into Ottoman Istanbul, miniaturists and murderPublished 7 months ago by absurd1