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'There are always regrets in life, among them things we've done that we wish we could take back and erase. I have significant ones that will haunt me forever and which I hope I have been brave enough to confront in this book' Jane Fonda in the preface to My Life So Far.
Now in her 60s, Fonda looks back over her life but also forward to the future. With unflinching honesty she addresses, amongst other things, her tragic and tortured relationships with her mother and father; her lovers and husbands, from Roger Vadim to Ted Turner; her passions and political views. The result is rare in its readability and sheer page-turning force. This is a powerful account of an extraordinary woman.
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"This book has an almost uncomfortable sincerity. It refuses to be afraid of the truth ... intense, intelligent, supremely committed. Always worthy of our time and attention" (Daily Telegraph)
Book Description
Now available in paperback, a grippingly honest and beautifully written reckoning of a life by one of the 20th century's highest profile personalities
I think the most positive thing about this book is Jane Fonda's revelation that she, like so many women of her generation, has forever been entrenched in the classic father-daughter drama: "All my life I had been a father's daughter, trapped in a Greek drama, like Athena, who sprang fully formed from the head of her father, Zeus - disciplined, driven." She admits to spending her lifetime swimming in the slipstreams of men - first siding as a child with her famous dad (the back flap has a picture of her intently gazing at him whilst he looks away), following him into the acting business, then taking shelter in a series of marriages with powerful, awe-inspiring men. In each relationship she seemed to take on a new self, engaging in threesomes with prostitutes to please French director Roger Vadim, morphing into a political fundraiser for Democrat Tom Hayden and becoming a careerless, corporate wife with breast implants for media mogul and ex-Republican Ted Turner.
This is what she diagnoses as "the disease to please", which leads women to dissociate their heads from their bodies and to subjugate themselves to oppression so as to retain the love of their men. But just when you think a clear feminist narrative and a whole, integrated identity are managing to emerge, Fonda goes and throws herself down at the altar of the fathers of patriarchy in the third act of her life and embraces Christianity, whilst simultaneously preaching of the importance of 'leaving the father's house'.
This is just one of many paradoxes to Jane Fonda. She seems to have spent most of her life ricocheting between radical poles of behaviour like a true chameleon: fitness queen in lycra with a huge empire (17 million videos sold! They're coming out on DVD soon!...) and engaged feminist; protesting against the Vietnam war whilst remaining pro-soldier and expressing patriotic sentiments about her country; dropping the politics after the war to return to the Hollywood industry, and so on. For me, her autobiography became a pull between empathy and irritation: just as she starts to annoy with her narcissistic obsession with herself and naivity, she then manages to undersell her acting achievements. There are in fact many moments of profound sadness: the violent suicide of her mother when she was 12, her frustrated relationship to her father, the eating disorders and Dexedrine dependency, and the emotional impotence of her husbands.
Through all this she remains generous and honest. That's what stands out at the end of the near-600 pages of her book: the exuberant force of her candour but also the crucial importance of practising and integrating what you preach to embody an authentic and centred identity and move into a freer, more conscious life.Read more ›
When I first looked at this book I thought that any book by Jane Fonda could not be worth 5 stars. I pretty well had made up my mind on 4 stars, even before I broke the cover and turned the first page, especially since there is a picture of a sexy young Jane on the back cover. Obviously she is still selling sex. But given the length of the book and the amount of detail, it is hard not to give her full marks.
I picked up a copy at a local outlet of a national chain bookstore where they had installed a special display rack just for her book. It held three books deep, five across and five shelves high, or about 75 books or more. That compares with a dozen or so books for most other best selling authors. So the stores and Amazon.com are geared up for this book; in all likelihoods it will not disappoint the book stores. It is a fairly well executed job - overall.
The book is just under 600 pages - very long - and divided into three sections 0 to 30 years, 30 to 60, and post 60 years of age to simplify the division, and that covers 39 chapters. The post 60 part is short, and the middle section is fairly long. She has lots of excellent photos from her families, movies, the ranches, protests, Vietnam, etc. but instead of two or three groups of pictures, they are spread throughout the book, so the text and photos go together, and this makes the whole book a lot more effective. She takes us through the ups and downs of her life including the troubled marriages, the activism, the movies, etc. and the reader gets an idea of how she has evolved, changed, survived, and what are her present values, and what is her present direction.
... There are chapters on her father and the family, another on his death, various movies including On Golden Pond, her marriages including Ted Turner, the various causes she was involved in during the early years such as native rights, the anti-war movement, and later religion and finding herself in life, plus many more topics that cover all 39 chapters.
But do we want to read about all her inner thoughts and small details from the 1960s and the 1970s - a good part of the book? In many cases I did not. There is just too much information here; most people will probably not be that interested in every word and comment; one wonders if the main audience for the book is Jane herself. Perhaps she wrote it as some kind of therapy to come to grips with her life. For example, it takes about 60 pages or so just to go through her childhood, and we do not meet Hayden until about halfway through the book, around page 277.
In short, the book is easy to read and well crafted and deserves 5 stars. The question is this: do you want to know all the small details of Jane's life including her activities as a radical in the 1960s and later, and what were her innermost thoughts? Also, a lot of the good parts of the story have already been printed in the press, such as parts of the section on her trip to Hanoi and when she first went out with Ted. So much of the interesting stuff is already out. If you want to learn more, and all of her inner thoughts and the small details in the life of Jane Fonda, and how her life and philosophy has evolved and changed - then this 600 page book is for you. She has had a complicated and interesting life. For me it was a little too much about Jane. But I will give her credit. It is a good job and a mostly an interesting read. Most will like the book and you can always skip some of the 39 chapters if you find that some parts are too much.
Although it has been about fifteen years since Jane Fonda last appeared in a film, the superb actress, with two Academy Awards under her belt for being the BEST at her craft, has done so much more in her life, with her life, than perform on the Big Screen. For those too young to have seen her the first time around in "Barbarella," "Cat Ballou," "They Shoot Horses, Don't They?" "Klute," "Julia," "Coming Home," "On Golden Pond," and so many other movie greats, all the publicity surrounding "My Life So Far" might stir the interest of younger folks to view Ms. Fonda's extensive repertoire. I can't think of a more worthwhile and entertaining endeavor.
For me, a film lover and Jane Fonda fan from way back, this autobiography held many surprises. My longtime image of Ms. Fonda has always been of a woman secure within herself, grounded, self-assured. Au contraire. The product of a privileged background, intelligent, creative, beautiful, talented, Jane was not as aware of her strengths as she was of her perceived weaknesses, which she really homed-in on. It is not difficult to understand the roots of her tremendous lack of self-esteem and neediness. Reading about the Fonda family, their interactions and life together while Jane and her brother, Peter, were growing up, is terribly sad. Her father was withdrawn, brooding, and distant. His lack of presence in his children's lives had a tremendous impact.For years she felt tremendous guilt for not saying a final goodbye to her mom Katherine Hepburn, who worked with both Henry and Jane in the movie, "On Golden Pond," noted the actor's extremely cold attitude toward his daughter. It appears that even at the end of Henry Fonda's life, including the evening Jane accepted the Oscar for Best Actor for him, he never gave her the approval she so longed for.
...
The memoir is divided into three parts, or 3 Acts, in which she chronicles her life so far in this highly readable narrative: growing up in Hollywood; student life at Vassar; Jane as Barbarella, Jane as committed political activist, with an interesting take on her controversial trip to Hanoi during the Vietnam War; her second marriage to student activist/politician Tom Hayden, her third to Ted Turner, motherhood; betrayal and infidelity, (I was more shocked by the behavior of her three husbands, than by the various menages in France, where at least Jane was invited to participate); Christianity and her religious faith; etc., etc.. This is a vital woman who has been involved in many important artistic, political, and athletic/sports events during the last fifty years. She has met some of the world's most interesting people, and even lived with a few. I admire the hard work she has done to understand herself. Therapy has obviously played a major role in her life and I really respect this. It demonstrates her commitment to growth and renewal. She is a survivor.
Her present work and energies involve the Georgia Campaign for Adolescent Pregnancy Prevention, (G-CAPP), which she founded in 1995 and chairs. In 2002, she opened the Jane Fonda Center for Adolescent Reproductive Health at Emory University's School of Medicine.
Like some contemporary political figures, Jane Fonda seems to inspire an extreme, almost visceral reaction from people - folks seem to either love her or hate her. Few are indifferent. Whatever one's feelings, it is impossible to deny this woman's talent, intellect, complexity, dynamism and the contributions she has made to our society.
It is rumored that Ms. Fonda wrote this book herself, an oddity nowadays with so many ghost written "tell all" memoirs on the market. I don't doubt for a moment that she is the author. She has proven to be extremely talented in many areas, with a variety of endeavors, over the years. Why not writing? I highly recommend this fast paced, well written autobiography. It informs and fascinates. Kudos! JANA