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Music While You Work: An Era in Broadcasting [Hardcover]

Brian Reynolds
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Product details

  • Hardcover: 264 pages
  • Publisher: Book Guild Ltd (14 Mar 2006)
  • Language English
  • ISBN-10: 1846240042
  • ISBN-13: 978-1846240041
  • Product Dimensions: 23.6 x 15.4 x 2.4 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 918,143 in Books (See Top 100 in Books)

Product Description

International Military Music Society journal

I recommend this book... spend some time wallowing in pure nostalgia

The Light Music Society Journal

The acknowledged expert on this subject charts the course of the programme from its inception... meticulously researched and authoritatively written.

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6 of 6 people found the following review helpful:
5.0 out of 5 stars A Who's Who of Light Music, 27 April 2006
This review is from: Music While You Work: An Era in Broadcasting (Hardcover)
The publication of this book marks the culmination of Brian Reynolds' lifelong interest in the 'Live Light Music' which was such a feature of BBC Radio's Golden Age. The author, who is the acknowledged expert on this subject, has amassed an amazing collection of off-air recordings of MWYW and similar programmes, including Bright And Early and Morning Music; he has even given much of this material back to the BBC Recorded Archive!

In today's world of 'personality presenters' playing interminable pop records, it may be difficult to appreciate that there once existed a very different broadcasting environment where live music in general - and MWYW in particular - was ubiquitous. Not only did the latter make an immense contribution to the whole institution of Radio for twenty-seven years, but it has effectively become a piece of Twentieth-Century British social history.

Reynolds charts the course of the programme from its inception in the dark days of 1940, when it was conceived as a morale-booster for wartime workers, especially those employed making munitions. Thousands of factories were equipped with sound-reproducing systems - another thriving industry - and the immediate result was a substantial improvement in productivity. Conversely, failures by managements to remember to 'switch on' were reported to have caused near-riots! The number editions reached a peak of three per day, seven days a week, with some even being repeated at breakfast time under the title Music In The Morning.

There evolved a sizeable corps of orchestral players, conductors, composers, arrangers and 'fixers'. For more than a few, it was the principal source of their livelihood, and it necessitated the creation of its own dedicated administrative bureaucracy at the BBC, which was convinced that all this made a real contribution to the winning of WWII - a claim which is probably well-justified.

The post-war years saw the acquisition of additional home-listeners, (a figure which rose to some 4-million), whilst its popularity in the workplace, even by 1962, was found not to have diminished. However, MWYW did begin to experience competition from commercial companies selling 'piped music', although not all establishments found this to be as effective as the original product. Eventually, it was abruptly and unceremoniously axed, the innocent victim of a fundamental change of policy, in 1967. This caused an expected backlash from industry, but curiously almost no reaction from domestic listeners - notwithstanding that, by then, the great majority of the afternoon audience was in the home.

There were, however, some in the Corporation who continued to champion the programme; this resulted in several periods of revival in the 1980s and 1990s, before its final demise. A measure of MWYW's importance lies in the fact that, for many years, the morning edition was transmitted simultaneously on the Light Programme and Home Service, and thus constituted the only output available on BBC Radio between 10.30 and 11.00 am. No wonder then that a whole generation, (including Brian Reynolds and myself), grew up listening to and enjoying the programme; how fortunate we were to have been born in the right place at the right time!

Within its 255 pages, the volume contains the biographies of over fifty musical directors who helped to achieve MWYW's success, and who in turn became 'household names'. Sadly, many were rapidly forgotten, (and in a number of cases suffered severe hardship), after the BBC mandarins 'pulled the plug' with the advent of Radios 1 and 2.

Well produced in hardback format, the book is considerably enhanced by the inclusion of eighty photographs and a comprehensive index. There are over one hundred programme 'menus', together with a complete list of all participating musical ensembles and instrumentalists; this reads like a veritable Who's Who of the then-current music profession.

With a foreword by journalist and broadcaster Howard Leader - who was its prime instigator - MUSIC WHILE YOU WORK-AN ERA IN BROADCASTING has been meticulously researched and authoritatively written by a passionate devotee. It undoubtedly deserves a place in the library of every Light Music lover and student of Radio Broadcasting history.
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5.0 out of 5 stars A Nostalgic Gem, 18 Nov 2009
By 
Dennis Wilby "musician" (East Sussex) - See all my reviews
(REAL NAME)   
This review is from: Music While You Work: An Era in Broadcasting (Hardcover)

For those people of a certain age, Brian Reynold's interesting account of the much-loved BBC's series "Music While You Work" will bring back fond memories. The book chronicals the long-running series which featured a wide-ranging repertoire of light music, attracting a nation-wide audience from housewife to factory worker. From its inception in the 1940's, it provided weekly, often live entertainment.
The orchestras and bands featured varied in size, combination and style, however, the general musical format of "Music While You Work" remained consistently within the category of "popular light music"........easy on the ear.
Author Brian Reynolds has painstakingly researched this era of light music to produce 255 pages of fascinating reading, containing samples of the music played, the orchestras and bands featured and biographies of the numerous well-known conductors and band leaders, all household names from that period.
"Music While You Work" is, without doubt, a comprehensive account of this much-loved and highly successful series.
I had the pleasure of discussing the book with author Brian Reynolds following its publication and discovered his personal account of the painstaking research involved when compiling the book both enlightening and nostalgic, having had a first-hand interest in this long-running and much-loved series.
Amongst the many orchestras, dance bands and free-lance groups involved, some of the BBC's house orchestras were also regular contributors and as
a member of one of those orchestras, the BBC Northern Ireland Light Orchestra (Conductor: David Curry), I was involved for a decade with the series.
"Music While You Work" .....An Era in Broadcasting makes nostalgic reading.
Faithfully researched, skilfully written and produced to a high quality, this book should have a place in every musician's library.....even if you're not of a certain age. A journey through words down memory lane.......a "must have" reference book.
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