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Customer Reviews
Which is what this book is about: It has - I dare say! - all the music notational information you will need to have, collected in a way that is both interresting and inspiring. If you want to know how to score for the timpani's, for a harp, for cymbals - if you want to write a cluster in the avantgarde way - or if you just cannot remember how to organize the rythm instruments or write a cleff - THIS is the book.
Here is a wealth of information, clearly and exact directed against each instrument from the classical orchestra to the modern jazz and rythmical groups. Limits and playing style is discussed, in order for you as composer to be able to express the music - and also in order for you as player to understand what in the world the strange symbols actually means.
If I should point at just one thing to make better, that would be a more extensive index. You can find what you are looking for, but it can be better. Other that that, the book is so good!
After a brief history of music notation's development through the Middle Ages, Mr. Read systematically examines every part of notation, giving plenty of examples and also providing new innovations in that area. Every chapter is well organized, and the reference tables are a particularly helpful resource.
Being a young composer, I found this book extremely valuable for providing me with the knowledge that, although essential to all musical fields, is rarely taught in any manner. A must buy for all musicians.
Listmania!
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