Amazon.co.uk Review
Whatever it is Lloyd Cole does all day, it doesn't involve coming up with radical shifts in artistic direction.
Music in a Foreign Language, Cole's first album since 1995's excellent
Love Story, is of a piece with the six he produced in rather more productive decades before that:
Music in a Foreign Language is another collection of deftly written, wryly observed and balefully sung ballads by a consistently fine songwriter. It also includes what is, for Cole, a rare foray into interpretation, with a version of
Nick Cave's "People Ain't No Good".
Music in a Foreign Language is at least distinguishable from its predecessors in approach, if not style: Cole made the album at home, forsaking the studio for his Apple Mac. Just as his contemporary Roddy Frame did on his superb Surf, Cole has built these songs around his voice and acoustic guitar, with a minimum of instrumental embellishments. It's something Cole should have done before now--though as literate and clever as ever, he sounds much less knowing and arch than previously, like a man who has learnt the difference between confessing and merely telling tales. --Andrew Mueller
Description
In 2000, Lloyd Cole made an appealing return to form with THE NEGATIVES, and followed it up by fiddling around with electronic instrumentals, an odds-and-ends collection, and an off-the-cuff live album. Finally picking up where THE NEGATIVES left off, MUSIC IN A FOREIGN LANGUAGE is a similarly low-key album full of smart songwriting. Over the years, Cole's sound has shifted from jangly pop, dramatic orchestrations and folk-based rock and pop, but 20 years after his recorded debut, he's boiled his style down on the sparest album of his career.
Seldom accompanied by more than a couple of gently picked guitars and a muted keyboard, Cole delivers literate songs that strike the perfect balance between the verbosity of his early records and his more simplified '90s approach. Matching a sharp eye with a rabbit-quick wit, he has much in common here with Raymond Carver as he does with Morrissey. It also doesn't hurt that his singing voice has matured into its most expressive phase to date.