- Paperback: 312 pages
- Publisher: University of Minnesota Press; Reprint edition (20 Feb 2003)
- Language English
- ISBN-10: 0816632308
- ISBN-13: 978-0816632305
- Product Dimensions: 2.2 x 1.5 x 0.2 cm
- Amazon Bestsellers Rank: 1,680,789 in Books (See Top 100 in Books)
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More About the Author
Product Description
Book Description
Originally published in 1946 and never before available in English, Music in Cuba is not only the best and most extensive study of Cuban musical history, it is a work of literature. Drawing on such primary documents as church circulars and musical scores, Carpentier encompasses European-style elite Cuban music as well as the popular rural Spanish folk and urban Afro-Cuban music.
"Remarkable, groundbreaking, and indispensable, Music in Cuba is a pioneering chronicle of the historical confluence of two musical streams, from Europe and Africa, that produced the special richness of the Cuban musical tradition. This first translation is elegantly produced, with an extensive introduction that situates Carpentier in the historical matrix of race and class in Cuba and the debates of today's theorists of cultural globalization." Times Literary Supplement (London)
Perhaps Cuba's most important twentieth-century intellectual, Alejo Carpentier (1904-1980) was a novelist, a classically trained pianist and musicologist, and an influential theorist of politics and literature. Born in Havana, he lived for many years in France and Venezuela but returned to Cuba after the 1959 revolution.
Timothy Brennan is professor of cultural studies, comparative literature, and English at the University of Minnesota.
Alan West-Durán is a freelance translator living in Massachusetts.
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2 reviews
9 of 9 people found the following review helpful
Library Journal has it wrong?
27 Oct 2006
Format:Paperback
Just some comments about the misleading Library Journal excerpt. I don't know Ms. Bonnie Jo Dopp, from Univ. of Maryland Libs., College Park, but she has to check her facts:
1) Carpentier was not "Franco-Cuban", but Cuban. He did not publish any original books in French, and all of his novels are centered around Latin American themes. His father was French (an architect working in Havana), but his mother was Russian, and he was born probably in Switzerland and definitively grown in Havana;
2) He was not a "musician", although he was very well versed in music, played musical instruments (at least the piano) and used novel audio effects in some radio shows;
3) He was not a "political thinker", whatever that might mean;
4) He did not exile himself from Cuba after Castro's revolution, but labored for Castro's government as the "cultural attache" in Castro's embassy in Paris, and continued holding a home in Havana and publishing in the island, as well as being a prominent member of the Castro-oriented Union of Artists and Writers and the Asamblea del Poder Popular, communist Cuba's mock parliament.
1) Carpentier was not "Franco-Cuban", but Cuban. He did not publish any original books in French, and all of his novels are centered around Latin American themes. His father was French (an architect working in Havana), but his mother was Russian, and he was born probably in Switzerland and definitively grown in Havana;
2) He was not a "musician", although he was very well versed in music, played musical instruments (at least the piano) and used novel audio effects in some radio shows;
3) He was not a "political thinker", whatever that might mean;
4) He did not exile himself from Cuba after Castro's revolution, but labored for Castro's government as the "cultural attache" in Castro's embassy in Paris, and continued holding a home in Havana and publishing in the island, as well as being a prominent member of the Castro-oriented Union of Artists and Writers and the Asamblea del Poder Popular, communist Cuba's mock parliament.
11 of 12 people found the following review helpful
Highbrow, lowbrow, or just plain cool?
10 Aug 2001
Format:Hardcover
A pivotal look at the development of Latin American popular music, novelist Alejo Carpentier's historical tract was originally published in 1946, and came out of raging, decades-long intellectual debates about the nature of Cuban and Latin American culture. This is the first English translation of this work and includes a lengthy introductory essay by the editor, explaining the author's role in the Cuban intelligensia... "Music In Cuba" was an attempt to settle some of the controversies about the "legitimacy" of Cuban music, and to resolve the apparent differences between tony, Europhilic art music and the grittier rural style that came to dominate the island's popular imagination. It's an intellectual, somewhat egghead-y book, but rich in cultural depth... The new foreward is also very valuable, giving proper context to Carpentier and his work, and a sense of the academic and philosophical life of Cubans abroad and at home in the early 20th Century.
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