I'll admit, the Beverley Knight of the 90s largely passed me by. She was an R&B artist - admittedly a cut above most of her genre colleagues talent-wise - but R&B, or rather the production-line pap that calls itself R&B these days, tends to leave me cold. Old school soul, on the other hand, is another matter entirely. Since switching focus, Ms Knight has been a bit of a revelation. Her talent as a singer has never been in doubt, but now at last she is performing music that really does her justice. Gorgeous first single No Man's Land is no fluke, although neither is it indicative of the rest of this mainly upbeat, feelgood album. There is not a duff track in sight as our Bev sings her heart out on songs that have soul to spare.
The album is a nice balance of well-chosen and perfectly executed cover versions (two), original songs written by other people (three), and songs co-written by Beverley herself (all the rest), showing that she has songwriting talent to go with that fine voice. She has turned again to former collaborators, four of the songs being written with Martin Brammer (remember The Kane Gang, 80s children?), and two with former Robbie Williams puppeteer Guy Chambers. As before, the Chambers contributions are two of the rockier tracks - Black Butta and Saviour. Let's hope they don't meet with the same tiresome inverse snobbery from urban radio stations as their predecessor, the excellent Come As You Are.
There have been criticisms that the album is less than glowing with originality. It is true that After You, written by Leeson & Vale (the duo behind Charles & Eddie's Would I Lie To You, amongst others) sometimes strays a little close to Al Green's Let's Stay Together, while the start of Black Butta will conjure up nightmarish visions of Tina Turner's thighs hoving into view as their owner prepares to belt out Nutbush City Limits. What such criticisms miss however is that it's the instantly familiar feel of the songs that is one of the album's big strengths. The other, of course, is Beverley's voice. Along with the likes of the rather scarier Amy Winehouse, Beverley Knight is doing her bit to bring back old school soul to the masses. A classy album from a classy singer.