The eleventh in Ruth Dudley Edwards' series featuring Baroness Jack Troutbeck and the Hapless Amiss finally arrives in the UK.
The Troutbeck series is slightly unusual in that the focus in each novel is a different part of "The Establishment". That part is shown to be both corrupt and absurd, and the incorruptible (although occasionally absurd) Jack Troutbeck always succeeeds in exposing humbugs and charlatans, dispensing along the way humour and wisdom, although the latter can be a bit on the dodgy side. At peak, the series is an accurate and deadly attack on that which it exposes. There's always a murder or two, by the way, which is why these satirical novels are to be found categorised under crime, but quite frequently the identity of the murderer is an adjunct to the main event, Jack Troutbeck putting her substantial boot in.
On this occasion, Troutbeck leaves the UK and her beloved St. Martha's College to take up a visiting fellowship at an American University, in Freeman, Indiana. She is very much on her own, as Robert Amiss has married his long-term girlfriend, and others who have helped out in the past are for one reason or otherunavailable, so she is accompanied only by her parrot, Horace (who, frankly, I could have done without). She soon finds herself astonished at the anti-intellectualism and political correctness of the university faculty, and it isn't long before a group of dissident students make contact. It soon becomes clear that what is afoot isn't just naive and misplaced worthiness, but something more sinister altogether. Eventually Amiss is pulled from his honeymoon to assist in blowing apart the "villains", their crimes and conspiracies (not necessarily the same thing).
Always amusing, the plot is moved along not only by events to which we are privy, but also by e-mails which explain offstage events to those excluded from it, and the reader, and the device works well, saving a lot of time: Not every novel has to be five hundred pages long. Although Dudley Edwards' main target is the left-wing knee-jerk manipulation of American academe, there are many sideswipes, notably at American cuisine. Throughout, though, it's quite clear that it's not Americans per se that the author has anything against, it's stupid people, wherever they may be (see previous ten entries in series).
A slightly overblown climax confuses things a little, but it's all over very quickly, and it doesn't detract from what has gone before. We've waited quite a while for this. Now it's a matter of waiting for the next one. A writer who can write, who has firm opinions but is neither unfair or bigoted, and a talent to amuse. Worth a few quid of anyone's money, I'd have thought...