Much Ado About Nothing 1993

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(218) IMDb 7.4/10
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Star studded rendition of the classic Shakespeare romantic comedy which sees two princes, Claudio (Robert Sean Leonard) and Benedict (Kenneth Branagh), battling to win the hearts of those they love. The object of Benedict's desire, Beatrice (Emma Thompson), acts as his sharp tongued sparring partner, while Claudio's path to true love is obstructed by the evil meddling of the embittered Don Juan (Keanu Reeves). Love, of course, triumphs eventually in Kenneth Branagh's sunny adaptation, filmed in Tuscany.

Starring:
Kenneth Branagh, Emma Thompson
Rental Formats:
DVD

Product Details

Discs
  • Feature parental_guidance
Runtime 1 hour 46 minutes
Starring Kenneth Branagh, Emma Thompson, Robert Sean Leonard, Denzel Washington, Keanu Reeves, Michael Keaton, Richard Briers, Denzel Washin, Ben Elton
Director Kenneth Branagh
Genres Drama, Romance
Studio ENTERTAINMENT IN VIDEO
Rental release 21 May 1999
Main languages English

Customer Reviews

4.4 out of 5 stars

Most Helpful Customer Reviews

20 of 21 people found the following review helpful By Old Flozer on 6 Oct 2009
Format: DVD Verified Purchase
There are plenty of detailed critiques of the performances and production on here which I won't attempt to emulate; this review is rather for the casual browser who is hovering around the 'add to basket' button. So - Yes! I bought this at a price pretty much equivalent to rental - and I would heartily recommend it as great value and good entertainment. It has its weaknesses - the DVD transfer is not particularly high quality (I'd like to see a fully restored, Blu-Ray version) and has no supplementary material. Of the performances, only Keanu Reeeves' is really dubious - he brings to the part of John the Bastard an impressive physique and little else. There's also some of that rather cloying best buddies quality that accompanies Branagh's core troupe. However, overall it trips along with a light touch and is very entertaining - genuinely so on the strength of the play, not just for the interest of the interpretation. The cinematography and scenery are superb (though again, some colour restoration would have helped, and some of the cast had gone very pink in the Italian sun!). I enjoyed Keaton's perfomance as Dogberry, though I struggled to hear everything he said, and it did remind me of Beetlejuice. I'd forgotten how luminously beautiful and engaging the young Kate Beckinsale was before she became Hollywood Barbie (sigh..), and was very impressed by the naturalness of Denzel Washington's delivery, as Branagh's integration of US actors sometimes jars.

You don't have to be a Shakespeare fanatic to enjoy this, but there is equally plenty there to satisfy the enthusiast. Hit that button!
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67 of 72 people found the following review helpful By M. Lindsell on 22 July 2008
Format: DVD
The Kenneth Branagh/Emma Thompson version of 'Much Ado About Nothing' is one of the happiest and most charming films I have ever seen (despite the tense bit in the middle and the tedious nature of the bard's original story).
This DVD is let down -so- badly by the rough and ready transfer, which has the following problems:
1) This is 1.4ish:1 and not widescreen as it says on the packaging (the original film -was- widescreen)
2) The colour in the original film was wonderful - alas not the DVD, where unsightly colour aliasing and contours are evident
3) There isn't even a decent Scene Selection capability, just a small number of whole 'acts', so it is very hard to find your place if you don't see it all the way through
4) No Extras whatever, despite the fact that there was a lovely 'making of' featurette made (I watched it on TV).

Please, please, please could we have a widescreen anamorphic reissue (Region 2) with all of the above corrected?

I for one would pay full price.
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4 of 4 people found the following review helpful By Budge Burgess on 5 Sep 2005
Format: Paperback
By no means a well-known play compared to Shakespeare's tragedies, or even many of his history plays, "Much Ado About Nothing" remains a popular theatrical production, a play which offers dynamic, meaty parts and provides actors with challenging vehicles for the display of their talents. In a sense, it is a play driven by its players, its text bristling with wit and energy, its themes and concepts regularly re-interpreted and re-presented by the great actors and producers of succeeding ages.
"Much Ado" is a play about courtly society and its preoccupation with love and marriage, with 'form', and with the appropriateness of suitors and matches. Love is one thing, but marriage involves power, money, and property rights and succession. It's a play about rules - often unwritten, usually unspoken, but which are learned by social osmosis and which appear in the niceties of etiquette, manners, and social trivia, providing fragile bastions to status and breeding. Despite their apparently ephemeral nature, these are rules which are very real, and not without severe sanction.
But "Much Ado" is also a play about the breaking of rules, about their use and transformation, obeying, instead, the demands and commands of love. Much of the dynamic of the play lies in the contrast between the two couples, Beatrice & Benedick and Claudio and Hero. The former are the liberated archetypes, the latter a more classical pairing.
It's a play which has been repeatedly interpreted and reinterpreted in the light of changing social mores and tastes. Much of the difficulty in studying the play lies in teasing out Shakespeare's intent from the layers of meaning and interpretation with which it has been lacquered.
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46 of 50 people found the following review helpful By Mr. A. E. Hall on 5 Nov 2006
Format: DVD Verified Purchase
Kenneth Branagh's adaption of Much Ado About Nothing is a sheer delight to watch. I first saw it six years ago to prepare for a performance of it at school. The whole class fell in love with the film and while it may fall behind Hamlet or Romeo and Juliet in pure greatness, it soars ahead in sheer fun and exuberance.

As with Hamlet from 3 years later, the set is moved forward a few hundred years which just gives a fresh and vibrant touch to the film. Branagh himself plays Benedick and the chemistry between him and his (then) wife Emma Thompson as Beatrice makes you wonder why they could ever have split up. It is the war of words between these two that provide some of the main highlights of the film, especially their initial exchange:

Benedick: 'God keep your lady in that so some man may 'scape a pre-destinate scratched face'.

Beatrice: 'Scratching could not make it worse onto such a face as yours'.

Benedick: 'Well you are a rare parrot teacher'.

Beatrice: 'A bird of my tongue is better than a beast of your tongue'

Benedick: 'I wish my horse had the speed of your tongue'.

Branagh is also not afraid to throw in American actors and their effect ranges from the fish in water (Denzel Washington's Don Pedro), to the aquittable Keanu Reeves to the outstanding thespian but altogether too Yankee Robert Sean Leonard. However the real American star of the film is Michael Keaten with his sidekick Ben Elton who give a Monty Pythonesque twist to Dogsberry and Verges.

Branagh directs the film with style and his choice of music is outstanding. The all-star cast deliver as expected and it all adds up to one of my alltime favourite films.

One little criticism is the actual DVD itself.
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