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52 of 53 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
One of the main advantages that period performances hold over those on modern instruments is that they allow one to more clearly hear the articulation of and between the various instruments. In modern instrument performances of Mozart's orchestral compositions, edges tend to be blurred and this detracts from the exquisite musical arguments contained within each piece. This is not so much a problem with performances of Mozart's chamber music however, as there are fewer instruments to crowd the scene, and each musician retains greater control over the sustainment of each note.
Unquestionably, these 'period' performances by Trevor Pinnock are the best renditions I have heard of Mozart's symphonies. They have all the benefits of crisp articulation and yet they retain all of the drama you would expect to experience in a modern instrument recording. An excellent set in every way!
Unquestionably, these 'period' performances by Trevor Pinnock are the best renditions I have heard of Mozart's symphonies. They have all the benefits of crisp articulation and yet they retain all of the drama you would expect to experience in a modern instrument recording. An excellent set in every way!
42 of 44 people found the following review helpful
Format:Audio CD
This rendition of Mozart's symphonies is absolutely wonderful. It gives the sense of warmth and personality that seems to be missing from many of the bigger, "modern" orchestras, (not to say that they don't have their own advantages to the modern ear). These recordings have a buttery, warm sound that sounds more like it is being played in an old castle chamber than a cold, airy concert hall. While the acoustics are sort of muted, they still remain crisp and clear. The English Concert Orchestra under Pinnock is known for its excellence, and here they have not let us down. Anyone who has more than a passing interest in classical music will not regret buying this set.
9 of 9 people found the following review helpful
Format:Audio CD
Radio 3's recent Mozart season played some early symphonies, and they used Pinnock's versions. I was quite amazed by how good they were, having been misled by 'certain critics' into believing that only 40/41 and perhaps a few other later symphonies were worth listening to. On the strength of what I heard on Radio 3, and glowing reviews by Gramophone and 'Third Ear', I decided to obtain this set. No regrets - *all* of them were worth a listen, 11 of them make it onto my "top notch Mozart" list, with another 14 on my "listen to as often as anything else list". I have versions of 40/41 by Marriner and Bernstein, both of which I rate highly - and they generally get the nod from the 'modern/big-band' faction of Mozart critics. But I like Pinnocks at least as much. His andante in 41, and overall treatment of the symphony, is something special. Even if you have several modern/big-band versions of Mozart symphonies, this set is well worth having, you are likely to discover some new joy - even in symphonies you already have.
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Most Recent Customer Reviews
Really Good
Bought this for my husband's birthday as he is a classical music fan and he has really enjoyed listening to it.
Published 4 months ago by felttip
Possibly the best current set of recordings of Mozart's symphonies
These recordings are a pleasure to listen to and I don't expect a better set to be made in the near future.
Published 7 months ago by John
Mozart the symphonies Trevor Pinnock
Beautifully Brilliant. I've heard Mozart before as have we all, but Pinnock seems to have taken Amadeus to another level.
Published 17 months ago by C. Williams
A great example of the advantages of period instruments
Mozart wrote 75+ symphonies in all, and although this set is not comprehensive (the Hogwood set makes the best attempt at that), the works here should satisfy most people. Read more
Published on 7 Jan 2007 by Mr. P. D. Humphreys
Mozart as it should sound
All I can say is, as a professional musician, it is refresing to hear Mozart sounding right. No vibrato, brisker tempi, even the flutes a touch on the flat side, make this sound... Read more
Published on 8 Dec 2004 by S. Milton
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