The Flimm production of 'Giovanni' from Zurich is no masterpiece, but it does have a lot going for it. Wonder's sets and the way they are lighted evoke the multi-textured realms of Caravaggio and Rembrandt, and Harnoncourt's musical realization of Mozart's score is idiomatic and quite a far cry from the way the Classicists are normally perceived. There is such drama, such heightened emotion at play here, and it is never any less than a matter of life and death, which is hardly what composer and librettist intended with their buffo-opera, but, but, but: it works. Flimm's ideas are few and far between, but he never intrudes. Three singers stand out with absolutely marvellous performances: SaccÃ is utter tenorial purity as Ottavio, Bartoli is a hissingly venomous but ultimately heartbreaking Elvira, but even more so Gilfry in the title role, his sexuality is hypnotic, his legato silken, his arrogance stupendous. His is almost an Oscar-worthy performance.