Critics hated what DePalma had done to Wolfe's BONFIRE OF THE VANITIES. Or maybe they didn't like the characterizations. Whatever their reasons, it is not the mess they proposed. I went to the book after viewing, liking very much what I had seen on the screen, but bailed out a third of the way in, unable to deal with the pretence and my being bored silly.
A second viewing last evening brings repeated respect, moreso in light of what has happened to the economy and how familiar the actors have become. Sure, content is absurdly ridiculous. Nightmares generally are. It is also fast paced, wildly funny, sumptuous to look at, and most revealing of the NewYork/Hollywood Jewish community. A gem.
THE ACCIDENTAL TOURIST is another Class A example of film-Judaism, though this time portrayed as sensitive, extremely heartfelt, and real to life. A totally excellent experience for audiences then and now.
ALL THE PRESIDENT'S MEN. Politics as usual, expertly handled. Enough said.
The price for these three classics is not a lot. Whether it should be considered a worthy purchase depends on tolerance.
BONFIRE looks good if somewhat cramped by perhaps the wrong aspect ratio(?), and minus any extras.
ACCIDENTAL looks very good with an excellent set of extras.
The disaster is PRESIDENT'S MEN, offering a handful of read-only extras and a gawd-awful 1997 video transfer that borders on VHS quality. I will force myself to live thanks to Pakula's directing and a stellar cast, and maybe someday spring for the Blu-ray edition.