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As the title confirms though, it's the death of Rebecca and Adam's child, Ruby, in a road accident that dominates. In the depiction of this horrific incident, Dunmore at one point breaks into verse, crystallising in just a few sparse, stream of consciousness lines Rebecca's agony as, impotently, she watches the tragedy unfold: "She always stops at roads, she's never run into a road, but look how fast she's going Adam, she's too far ahead, the gap between them, stop Ruby, stop Ruby, stop Rubystop."
Rebecca's loss is even greater because she is herself a lost child, a foundling who was abandoned in a shoebox outside an Italian restaurant. But, if this is a book about the many permutations of loss, it is equally about creativity, artistic as well as biological. Through Rebecca's encounters with her boss, Mr Damiano, the former circus impresario turned hotelier, and Joe's "story", Dunmore salutes, through the very medium of fiction itself, the healing power of the imagination. --Travis Elborough --This text refers to an out of print or unavailable edition of this title.
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The main story is about a mother (herself an abandoned child) and father trying to deal with the death of their young daughter. The awful moment when Ruby races from one parent to another into the path of an oncoming car is heartstopping in its shocking finality. It reminded me of the equally shocking moment in Ian McKewn's 'A Child In Time', when a father, out shopping, suddenly realises that his child has disappeared. In both cases the reader is overwhelmed by the absence of this small person whose energy spilled onto the page only a moment ago, but now is gone. As that absence fills their lives, so it spreads its influence across the whole book and its cast of characters both 'real' and fictional - and while the layering of stories means that there are a large number of characters (and voices) in this book, I felt that I knew and cared for even the most minor of them.
Mourning Ruby is beautifully crafted and takes the reader on an emotional and searching journey. Although it is laced with grief it is also about hopes and dreams. This book is not, in the end, about death, its about the joy and pain of living.
There are several stories running through one main tale: that of a mother and father mourning their dead child. But theirs is not the only tale of loss and grief. Dunmore manages to make even the most minor of characters live and breathe, and the ending, surprisingly, is uplifting and positive; something you don't expect throughout the book. Read it once for the enjoyment of the story, then go back again and revel in the words, strung together like gems on a necklace.
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