Described by director Mark Pellington as "a psychological mystery with naturally surreal overtones", The Mothman Prophecies
begins like an ambitious episode of The X-Files
. Richard Gere brings adequate torment, portent, and ambiguity to his role as a Washington Post
reporter and grieving widower plagued by a mysterious, unseen urban legend known as the Mothman. Pellington develops subtle doom and gloom that's as effective as the paranoid streak he brought to Arlington Road
. As the Mothman terrifies a West Virginia town, he remains an enigma, glimpsed almost subliminally. This--along with a magnificently creepy soundtrack
--amplifies the movie's surreal overtones while keeping everything else (unsettling phone calls, prophesied disasters, suggestions of the afterlife) completely unexplained. With Laura Linney and Debra Messing in underdeveloped roles, The Mothman Prophecies
feels a bit underdeveloped itself (and ends in desperate need of Mulder and Scully). But if you like your weirdness open-ended, this moody thriller's worth a look. --Jeff Shannon
After his wife dies in mysterious circumstances, journalist John Klein (Richard Gere) finds some strange sketchings of a moth-like creature in her notebook. Years later, after an unusual encounter in the town of Point Pleasant, Klein begins to find further evidence of this creature. With the help of local police officer Connie Mills (Laura Linney), he soon discovers that the appearance of the 'mothman' has been previously associated with impending disasters. But what particular fate could be threatening Point Pleasance, and can Klein find out before it's too late?