OK, unlike some of the other reviews here this one is written after hearing the album.
Firstly, the music here all sounds better than I ever heard it before. I did direct A-B comparisons and would defy anyone to say they cannot hear an improvement. This improvement might not be significant for some, but to me it really lets each instrument and musician really stand on their own. Pages guitar army really glows and buckles in a way that reinforces his genius. No-one else in rock, or jazz for matter, has had such a wide palette of sounds and to hear it so clearly is an unalloyed pleasure. Overdubs, stereo placement, space around each instrument, cymbal decay and all of the other anorak details that I love are all here. This is not just a quick re-eq with a bit extra top end thrown in to compensate for hearing loss with age and a general lowering of the standard of stereo gear these days but a real reworking of the digital master tapes. Good Times Bad Times sounds like it was recorded earlier today by a band with enough energy to light up London.
Secondly, which tracks do you leave out when picking Zeps best? I can think of a handful that were on In Through The Out Door and they have been left out. After that???? The tracks here are all stoaters, fine examples of a band that took risks, stretching the envelope, taking the listener on a journey through several worlds, middle , middle eastern, far eastern, the under and the over.
I have bought every Zep album on vinyl, and cd, so there is nothing here that is new. I can however recommend this to anyone who is curious about Zep, anyone with a love for great sound quality and production and lovers of damn fine rock music. Enjoy!