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"Motherland" is an exquisite display of Merchant's talent: her corduroy voice coupled with poetic verse (fitting for the stuff you read in your college English course, perhaps even more so) shines throughout the album, in what will undoubtedly go down as her most ambitious work to date.
In "The Ballad of Henry Darger," Merchant's voice sends us chills as she eulogizes a relatively unknown folk artist (whose 15,000 page epic, discovered only after his death, is now on display at the American Folk Art Museum in New York): "Who'll tell the story of him, Henry Darger, Henry Darger/Who'll tell it all to the world/Henry, Henry, Oh Henry/Oh Henry." The centerpiece of the album, this song is worthy of Merchant's other middle-album songs written in the past, such as the haunting "I May Know the Word" (Tigerlily, 1995) and evocative "My Skin"(Ophelia, 1998).
Make no mistake, "Motherland" is not a collection of somber ballads (though, coming from her I doubt many would really mind). In "Tell Yourself," Merchant comes to the rescue of the typical American teen who finds themselves constantly up against the likes of glitzy boy-girl bands: "Tell yourself that you're not pretty/Look at you/You're beautiful/Tell yourself that no one sees/ Plain Jane, invisible me/Just Tell yourself/Tell Yourself/You'll never be like the anorexic cuties in the magazine." Again, she comes back with more comforts in her upbeat single "Just Can't Last": "If I could just explain it/If I could help you understand/I can see that your hurting/ Way down like a beast of burden/About to break your back/God only knows that you're human/Believe me they don't understand/That you have the weight of the world on your back."
"Motherland" also has elements of reggae, folk, and funk instilled in it, thanks mainly to legendary producer T-Bone Burnett (Counting Crows, "O Brother Where Art Thou?) and help from The Wallflowers, talented folk songstress Gillian Welsh, and alternative-rock icons such as Freedy Johnston. At times the album sounds straight out of 1960's soul and 1970's reggae -- the first track, "This House is On Fire" could have been written by Bob Marley -- yet it is ever so relevant: in this age of thoughtless lyrics and top-40 tunes, Merchant's music stands up against cliche, commercialism, and just plain bad music.
Her music is beautiful, unique, intruiging and diverse. The song "Motherland" is a meditation on the loss of innocence and nostalia. Other notable songs include "This House Is On Fire", about the divided nature of the United States during the Presidential election and "Golden Boy", a haunting song about the glorification of violence and the celebrities made out of violence in our society.
The album is a must for old fans and new fans alike. But a word of warning - the first time you listen you will not like her new sound. It has obviously been heavily influence by producer T-Bone Burnett, and sound more soulish (if the word exists). Listen to it again and you appreciate its brilliance, a shining diamond in the rough of today's commertialism and thoughlessness.
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