Barnes is not one of those authors who finds a particular niche within the genre and fills it with novels of a similar style and content. His work includes the Galactic Human Society of `A Million Open Doors' and `Earth Made of Glass', the parallel universes of `Finity' and here, a near-future disaster novel in which a small nuclear explosion in the Arctic releases a huge amount of methane trapped in the polar ice.
The consequence of this is that Hurricanes, of a size and ferocity never before seen, begin to form and head off to terrorise the world.
The background to Barnes' novel is just as fascinating as he has created a near-future world in which the US is no longer a superpower, the dominant force being the UN. Europe appears to have devolved into some kind of Nazi Federation which has exiled `Afropeans' - European black people - to the rest of the world, but mainly America. The popular form of entertainment which has supplanted `flat' TV is XV, a form of direct sensory experience recorded on wedges.
The action follows various groups of people who are all connected in some way. Di Callare is a meteorological specialist who becomes a government advisor when the crisis erupts. His young brother Jesse gets caught up in the turmoil in Mexico where he meets a vacationing XV porn star, Synthi Venture. Berlina Jamieson, an exiled Afropean, suddenly finds a market for her retro `flat' style of news reporting.
Out in space, Louie Tynan, an American astronaut, is commandeered to report on the hurricanes from his unique vantage point and finds himself infected with a nanovirus which begins to `improve' him, following which he starts to evolve in unexpected and intriguing ways.
The unfortunately named Randy Householder is the distraught father of a teenage girl who was raped and murdered in order to make a snuff XV recording. Randy is determined to find the man who commissioned the recording and discovers that his investigations are taking him rather high up the political ladder.
This is then, no mere disaster novel. In fact, the sequences where the monster hurricanes destroy cities and countries are not that frequent, but are brilliantly, thrillingly written and conceived. Barnes employs the disaster to bring the various story threads together quite convincingly and one never thinks, as is the case with lesser authors, that the coincidences and connections between the characters are too improbable.
Like the hurricane itself, `Mother of Storms' begins slowly and gathers pace to finally rattle along breathlessly to its conclusion.
Arguably the best Barnes novel to date.