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Mother Night Paperback – 21 May 1992

19 customer reviews

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Product details

  • Paperback: 192 pages
  • Publisher: Vintage Classics; New Ed edition (21 May 1992)
  • Language: English
  • ISBN-10: 0099819309
  • ISBN-13: 978-0099819301
  • Product Dimensions: 12.9 x 1.2 x 19.8 cm
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (19 customer reviews)
  • Amazon Bestsellers Rank: 39,312 in Books (See Top 100 in Books)

More About the Author

Kurt Vonnegut was a writer, lecturer and painter. He was born in Indianapolis in 1922 and studied biochemistry at Cornell University. During WWII, as a prisoner of war in Germany, he witnessed the destruction of Dresden by Allied bombers, an experience which inspired Slaughterhouse Five. First published in 1950, he went on to write fourteen novels, four plays, and three short story collections, in addition to countless works of short fiction and nonfiction. He died in 2007.

Product Description

Review

"Vonnegut's chilling early masterpiece" (Observer)

"Mother Night is not one of his most famous books, but it's one of the best" (Washington Post)

"A brilliant wacky ideas-monger" (Observer)

"One of the best living American writers" (Graham Greene)

"A cool writer, at once throwaway and passionate and very funny" (Financial Times)

Book Description

A diabolically funny and macabre novel by the brilliantly wacky Kurt Vonnegut

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MY NAME is Howard W. Campbell, Jr. Read the first page
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Most Helpful Customer Reviews

40 of 40 people found the following review helpful By Daniel Jolley HALL OF FAMETOP 500 REVIEWER on 21 Aug. 2003
Format: Paperback
To the best of my knowledge, there really is no other writer quite like Kurt Vonnegut, Jr. Mother Night appears to be a rather straightforward, albeit quirky, novel at first glance, but as one delves down into the heart of Vonnegut's prose one finds grounds for contemplation of some of life's most serious issues. This novel is the first-hand account of Howard Campbell, Jr., a most remarkable character. Campbell is an American-born citizen who moved to Germany as a child and became the English-speaking radio mouthpiece for Nazi Germany during World War II. In the fifteen years since the end of the war, he has been living an almost invisible life in a New York City attic apartment. He misses his German wife Helga who died in the war, sometimes thinks about his pre-war life as a successful writer of plays and poems, and perhaps just waits for history to find him once again. As we begin the novel, he has been found and is writing this account from a jail cell in Israel, awaiting trial for his crimes against humanity. While he is reviled by almost everyone on earth as an American Nazi traitor, the truth is that he was actually an agent working for the American government during the war; this is a truth he cannot prove, though. Thus, in this 1961 novel, the hero is ostensibly a Nazi war criminal.
The primary moral of Mother Night, Vonnegut tells us in his introduction, is that "we are what we pretend to be" and should thus be pretty darned careful about what we are pretending to be (a secondary moral being the less enlightening statement "when you're dead, you're dead"). In the eyes of the entire world, Campbell is exactly what he pretended to be during the war, a traitorous Nazi purveyor of propaganda who mocked and demoralized allied troops as well as regular citizens.
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9 of 9 people found the following review helpful By Sebastian Fernandez on 24 Aug. 2007
Format: Paperback
For quite a while I had been planning on reading some of Vonnegut's books, but I kept forgetting and grabbing other things from my TBR list. But when a month back I saw the author interviewed in two of my favorite shows regarding his new book "A man without a country", I was once more enticed to follow-up on the idea of reading his works.

It seemed to me that "Mother Night" was a good place to start as any, even though most people's starting point would probably be "Slaughterhouse Five", which I will hopefully get around to reading soon. In "Mother Night", Vonnegut presents us with an extremely interesting setting, which contains a whole array of "gray situations", since Howard W. Campbell, Jr. tells his story as an American spy working in the German publicity machine during World War II. What makes the case even more interesting is that the narrator is not really clear regarding the events that developed during that period. Logically, one would expect Howard to say he hated what he had to do in order to support the US, but in fact we are faced with a scenario that allows for a lot more ambiguity than that. And even though, I have only read this novel by this author so far, I believe that this is one of his most salient characteristics.

Besides the interesting storyline, I was pleasantly impressed by the author's writing style, using short chapters that are somewhat linked in their main topics, but that are not completely linear. This reminds me of the work of one of my favorite Latin American authors, Eduardo Galeano, who uses a similar approach to writing. If you are interested in reading about the history Latin America and like Vonnegut's style, I highly recommend Galeano's non-fiction book "The Open Veins of Latin America".
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2 of 2 people found the following review helpful By A Customer on 24 Nov. 1999
Format: Paperback
Already in his foreword, the author offers us trenchant insights into the human soul. He summarizes the book thusly: "We are what we appear to be, and we must therefore ne very careful of what we appear to be." A wonderful, wonderful story follows, about an expatriate American living in Berlin during the onset of World War II. He is persuaded to assume the role of Nazi radio propagandist, in secrecy transmitting vital information to the resistance movement. The moral dilemma this book raises is not to be ignored, and I cannot begin to tell you how sorry I am that some idiot slapped Nick Nolte down with the Low-Budget-Script-From-Hell in an attempt to capture this story onscreen. In short: the book is marvellous, the film is excrement. Beware.
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9 of 10 people found the following review helpful By A Customer on 10 Mar. 2001
Format: Paperback
Vonnegut's metafictional memoir of Howard W Campbell Jr - American Nazi, American spy, American villain and American hero in one brilliantly blurs the line between right and wrong, history and fiction and fiction and reality through dark, biting, postmodern satire. Ranks easily alongside his 'Slaughterhouse 5' (I actually enjoyed it slightly more) as a treatise against war.
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1 of 1 people found the following review helpful By Tony Hill on 9 Jun. 2014
Format: Paperback
I was shocked to find, having loved every page-turning minute of this book, that Mother Night was only Kurt Vonnegut's third novel. An amazingly compact and concise telling of a story that other authors may make 500 page + doorstops from is told nonetheless completely in just a short volume packed with all the brilliant pace and wickedly sharp wit that is to be expected from Mr Vonnegut.

The novel is a sparse yet original story line that - despite the seemingly far-fetched nature of it's plot - remains grounded in a distinct reality, making use of numerous literary devices as it romps through to its conclusion, shot through with gallows humour.

A cracking little book and one which I will wholeheartedly be recommending at every opportunity.
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