The stories of several mothers are interwoven in this drama about motherhood: The longing to become a mother; the pains of motherhood; the heart-wrenching suffering of those who wish to evade motherhood. It is a sad story. The joy of motherhood hardly features in this film. It is about women. They dominate the film. Men play a secondary, most of the time flat and unassuming role. Men can be thoughtful, kind and sensitive, but they have nothing to say in motherhood. This film is about the hard, lonely world of mothers.
Karen (Annette Bening) gave birth to her only child when she was fourteen and gave her up for adoption. This momentous event ruined her life. Consumed by guilt, she was unable to establish any meaningful relationships with men. She lived with her mother until her mother died but both women did not really open themselves for one another. Karen knows she is "difficult": judgmental, stubborn, opinionated, uncompromising, determined, strong-willed, and very lonely. Although her daughter plays very important part in her life, Karen never tried to look for her.
Everything changes when Paco (Jimmy Smits) enters her life. It was not easy for him to penetrate the stubborn-sturdy walls that Karen erected around herself but he finds a way, to Karen's surprise. "Where did you come from?" she asks him. Karen's opened to Paco's abundant kindness, and quickly marries him. Paco "leads his way" to persuade her to look for her daughter, Elizabeth.
Elizabeth (Naomi Watts) had a very difficult life. From a very young age, she had to live alone and to force herself into the world. Ambitious, unflinching, smart, selfish with many qualities of her mother (judgmental, stubborn, opinionated, uncompromising, determined, strong-willed) she leads a lonely life in which she finds satisfaction. Happiness would be a big word to describe her condition and constant mood. She moves in and out of cities for unclear reasons but we can guess these constant moves were due to her difficult personality and the way she treats others, especially men: Use, play with and throw. Men are attracted to her like flies to light. Incapable of loving anyone, including herself, people are for her mere means to an end. Stubborn and fearful like her mother, Elizabeth never tried to look for her roots until she becomes pregnant at the age of 37. At about the same time, not knowing of one another, both Karen and Elizabeth deposit letters for each other in the adoption offices.
The third story is about Lucy (Kerry Washington) who is unable to conceive. To satisfy her husband's yearning for a child, she turns to adoption to make the family they desire. Joseph, her husband, encapsulates the role of men in this film: he hardly speaks, with a flat personality and simple desires. Lucy does not really need him. Indeed, the road to adoption is especially difficult for Lucy but once she is able to have a child, she fails to understand that motherhood is indeed "all about her": her child's wishes, her milk, her sleep, her quality time. Lucy's mother has to open her eyes to tell her that she is not special. Yes, this is motherhood (parenthood).
The film is built around two wonderful actresses: Naomi Watts and Annette Bening. Kerry Washington, Jimmy Smits and Samuel L. Jackson are in the supporting roles. It is very dense and very sad. There are no moments of comic relief and only seldom we see the magical, beautiful, happy moments of parenthood. There is only one striking episode of family life, to which Elizabeth enters quite astonished as she never experienced such a playful gathering in her own life. The movie, in many respects, is one sided as it highlights the pains of motherhood, not the joys, and it is about motherhood, not parenthood. The three main stories are about broken families. For many of us, luckily life is far more complex, with many shades of grey and pink, not only grey. Yet the film is captivating, moving, complex and beautifully-done.
Four stars in Rafi's scale.