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Morrissey: Autobiography Audio CD – Audiobook, 21 Dec 2013


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Product details

  • Audio CD: 11 pages
  • Publisher: Penguin Audiobooks; Unabridged edition (21 Dec. 2013)
  • Language: English
  • ISBN-10: 1611762901
  • ISBN-13: 978-1611762907
  • Product Dimensions: 13.3 x 3.7 x 14.5 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (507 customer reviews)
  • Amazon Bestsellers Rank: 1,038,510 in Books (See Top 100 in Books)

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Review

Five stars. With typical pretension, Morrissey's first book has been published as a Penguin Classic. It justifies such presentation with a beautifully measured prose style that combines a lilting, poetic turn of phrase and acute quality of observation, revelling in a kind of morbid glee at life's injustice with arch, understated humour ... It is recognisably the voice of the most distinctive British pop lyricist of his era (Neil McCormick Daily Telegraph)

A brilliant and timely book ... What is so refreshing about Morrissey's Autobiography is its very messiness, its deliriously florid, overblown prose style, its unwillingness to kowtow to a culture of literary formula and commercial pigeon-holing ... Autobiography is a true baggy monster, a book in which a distinctive prose style is allowed to develop ... A rococo triumph ... Overwhelmingly this is a book to be thankful for ... In the ways that matter, Autobiography reads like a work of genuine literary class (Alex Niven Independent)

Sharply written, rich, clever, rancorous, puffed-up, tender, catty, windy, poetic, and frequently very, very funny. Welcome back, Morrissey (Michael Bonner Uncut Magazine)

Rancorous, rhapsodic, schizophrenic: Autobiography delivers a man in full (Andrew Male Mojo)

If one is willing to accept that a Morrissey book could be a classic, then the book justifies its status remarkably early on. ... As a work of prose Autobiography is a triumph of the written word (Louder than war)

Funnier than the Iliad ... A triumph (Colin Paterson Today Programme, BBC Radio 4)

One of the autobiographies of this or any year ... A wonderfully entertaining read. He's as witty, acerbic and opinionated as you'd expect, but there's a welcome self-awareness throughout that makes the dramatic flourishes and hyperbolic dismay all the more hilarious. He may have more flaws than Manchester's Arndale Centre but he's just brilliantly, uniquely Morrissey (Daily Mirror)

Morrissey's Autobiography is brilliant and relentless. Genius, really (Douglas Coupland)

Well, so far Morrissey's book is an absolute masterpiece; no doubt the whole stinking country will hate it. (Frankie Boyle)

This is the best book ever. Like ever (Wonderland)

Carried along on quite extraordinary prose (Time Out)

The Best Music Biog Ever ... In the world of rock autobiographies, Morrissey's is nigh-on perfect (Ben Hewitt NME)

Practically every paragraph has a line or two that demands to be read aloud to the mirror, tattooed on foreheads, carved on tombstones (Rolling Stone)

Morrissey is a pop star of unusual writing talent (The New York Times)

Autobiography is a rich and substantial work, the figure emerging at its centre both compelling and complex. Those who know his music will be unsurprised by the qualities of Morrissey's prose, which is ornate, windswept, elusive yet never tricksy, and full of unexpected twists and thrusts. He writes with understanding (albeit often with a tout comprendre c'est rien pardonner caveat) and is most of all straightforwardly moving; never more so than when writing about his childhood (Gwendoline Riley Times Literary Supplement)

Autobiography doesn't disappoint. In its pages Morrissey manages to perform the neat trick of deconstructing his own myth while at the same time adding to it. Old scores are settled and anyone who ever crossed the singer is neatly decapitated herein by withering, barbed prose. Things could have gone very differently for Morrissey. He could have ended up cleaning canal banks or delivering the post for a living. Both of these outcomes would have left the world a far duller place. Autobiography is the man in his own words and, Morrissey being Morrissey, this means that we are presented with an account that is real and fantastic, unapologetically romantic and brutally honest. The die-hard fans have read the book already but for anyone with even a passing interest in what makes one of the most individual and unflinching voices in British pop music tick, Autobiography is essential (Loud and Quiet magazine) --This text refers to the Paperback edition.

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Customer Reviews

4.0 out of 5 stars

Most Helpful Customer Reviews

234 of 260 people found the following review helpful By Rough Diamond TOP 500 REVIEWER on 1 Nov. 2013
Format: Paperback
Train, heave on to Euston. Awaiting the launch of my Autobiography, Penguin Books have incarcerated me in a tawdry penthouse flat at 6 Grosvenor Square. The harsh London light through the floor-to-ceiling windows peels my eyeballs, my feet wince at the coarse touch of the cashmere and angora carpet, and as I numb the pain with a third Grey Goose, my mind drifts back to Nan's tenement at 69 Saddleworth Cuttings, Strangeways. Here, behind the rainy Salford Road, I would watch the damp grey wallpaper peeling slowly off the walls, licking my wounds after yet another day of casual brutality from the callous, sadistic teachers of Rusholme Secondary Modern, where the education was never modern, and my needs and feelings were always secondary.

The doorbell rings. Is it Jobraith? Is it The New York Dolls, on bended knee, begging me to become their lead singer? No, alas, it is the frightful and blancmange-like Debbie, my PA from Penguin, clutching an advance copy of my book. My heart sinks from wounds already inflicted and wounds still to come. Already the Penguin philistines have rejected my glamorous cover art (a black and white Alain Delon posing naked over Oscar Wilde's grave, drinking a glass of milk). Typical. I tear disinterestedly at the brown paper, fearing the worst. The cover is predictably a travesty. Although it mentions my name (in an insultingly small typeface) and features a dismissively small photograph of me, over 50% of the surface area is utterly wasted and makes no reference to me at all. Not one. It is yet another nail hammered through my palm by the uncaring powers that be.
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Format: Paperback
A generally entertaining book. However, he doesn't appear to have considered that Geoff Travis could have been responsible for breaking up The Smiths. I saw a BBC4 documentary on Rough Trade and Travis appeared with a satisfied look on his face and said that although The Smiths signed to EMI they didn't release anything for them. The implication seemed to be that only Travis and Rough Trade could successfully handle them.

He unfortunately comes across as a glass half-empty type of person. OK, Mike Joyce got millions off him. However, Morrissey could make that back by reforming The Smiths. People would flock to the concerts and he would make back more than what he lost. The friction in the band contributed to some of their finer moments, such as How Soon Is Now?

As for lack of airplay, what does he expect? At least The Smiths got more Top of the Pops appearances than other indie bands. The Jesus and Mary Chain were on only once.
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1 of 1 people found the following review helpful By Julie D TOP 1000 REVIEWER on 25 Mar. 2014
Format: Paperback Verified Purchase
A friend asked me recently if I had the Morrissey book, more or less a rhetorical question as I'm the sort of colossal fan whose continuous adoration has provoked only the scorn of others and of course I'd had it on pre-order. I was then asked whether I'd read it. I have not, I replied with gusto. Someday I might. The reviews suggest some readers - as opposed to mere possessors - of Autobiography had hoped to receive enlightenment about the music business or what it's like to be an icon or just how the enigma ticks. I know if ever I read the book, I will love it - even if it's not Great; blind faith is as much the province of the music fanatic as the religious fanatic. I also know it's unlikely to enhance by one iota my understanding of the man. More than most popular recording artistes of the late twentieth century, Morrissey has lain himself bare over and over again. It's all there in the songs. SPM is a lot of things I like a lot in those songs - acerbic, funny, sensitive, self aware, self conscious, almost never miserable - the list is not exhaustive. Above all, he is honest. One of the greatest creative expressions to come out of the last half of last century is the three minute pop song. Morrissey is a fine exponent. I find myself quoting his words more often than those of dead writers as they ring so true so often for me, his exact contemporary, a Northern woman. I have read quite a number of reviews of Autobiography on Amazon. The fan in me is glad it's created such a stir. As to whether it's any good, I'm not sure I care. The deft exponent of the three minute thing of wonder may not necessarily translate as genius across a few hundred pages and for real fans, he does not have to. Some have written here that Morrissey comes out of the book a misogynist.Read more ›
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1 of 1 people found the following review helpful By Denis Vukosav on 5 Dec. 2013
Format: Hardcover
"Autobiography" by Steven Patrick Morrissey is book that many fans of this musician hardly waited, a book that doesn't disappoint, though some periods of his life weren't given quite as much attention as the reader might expect.

As probably is the case with most readers, I was attracted to this book due to the fact that I'm longtime fan of his music, especially from "The Smiths" part of his career.

Morrissey began his book with description of his childhood and youth, describing his home city Manchester and family in which he was raised, writing in a beautiful and almost lyrical way like you're reading a novel, not a true story of a man about his adolescence and growing up.
He writes in long sentences, but his thoughts are easy to understand, creating images that allow the reader to be fully immersed in action as if yourself you share a youthful days with author.
This part of book manages to explain why Morrissey became such person, giving a great insight about the pain he endured, about his obsessions and fascinations that makes his story sound completely authentic and without embellishment.

In many occasions Morrissey manages to put smile on reader's lips; even in some situations that are serious or sad he succeeds to show the funny side in his poetic writing style. Also it's interesting to see how loyal he was to his beloved and kind to people which he considered friends therefore it's not surprising how he felt stricken by their betrayal (at least in his opinion).

Though, this part of the book in which he strikes back on the people who have hurt him is not so good, even seems a bit unnecessary and if he left it out that wouldn't be reflected on the overall quality of the book.
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