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Price: £9.81 & FREE Delivery in the UK on orders over £20. Details
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Amazon's Primal Scream Store

Music

Image of album by Primal Scream

Photos

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It's Alright, It's OK

Biography

“It's just such a monster, epic track that it had to be the first track on
‘More Light’. The lyrics are a critique of youth and pop culture, be it music, film, fashion, art, journalism.
“We're living in very extreme times, but that doesn't seem to be reflected in the music that I hear or the art that I see. It seems that people are kind of asleep or ... Read more in Amazon's Primal Scream Store

Visit Amazon's Primal Scream Store
for 93 albums, 6 photos, 4 videos, discussions, and more.

Frequently Bought Together

More Light + Screamadelica + Vanishing Point
Price For All Three: £18.62

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Product details

  • Audio CD (13 May 2013)
  • Number of Discs: 1
  • Label: 1st International
  • ASIN: B00BNPWBOO
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (45 customer reviews)
  • Amazon Bestsellers Rank: 64,496 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. 2013 9:00£0.99  Buy MP3 
Listen  2. River Of Pain 7:00£0.99  Buy MP3 
Listen  3. Culturecide 4:37£0.99  Buy MP3 
Listen  4. Hit Void 4:14£0.99  Buy MP3 
Listen  5. Tenement Kid 4:48£0.99  Buy MP3 
Listen  6. Invisible City 4:43£0.99  Buy MP3 
Listen  7. Goodbye Johnny 3:32£0.99  Buy MP3 
Listen  8. Sideman 3:56£0.99  Buy MP3 
Listen  9. Elimination Blues 5:48£0.99  Buy MP3 
Listen10. Turn Each Other Inside Out 4:38£0.99  Buy MP3 
Listen11. Relativity 7:31£0.99  Buy MP3 
Listen12. Walking With The Beast 4:00£0.99  Buy MP3 
Listen13. It's Alright, It's Ok 5:09£0.99  Buy MP3 

Product Description

Tenth studio album by Scottish alternative rock band. The album, featuring the singles '2013' and 'It's Alright, It's OK', debuted in the UK Albums Chart at #12.

Customer Reviews

4.3 out of 5 stars
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Most Helpful Customer Reviews

15 of 15 people found the following review helpful By Mr. K. de Jong on 14 May 2013
Format: Audio CD
This is a return to the beats driven and soul-stomping version of Primal Scream, leaving behind the Stones' inspires blues rock they have dabbled in over the past decade. Holmes' production adds a nice cinematic feel and he is clearly a fan. The opener '2013' is a statement of intent, clocking in at nine minutes complete with Kevin Shields soaring guitars. The opulent 'River of Pain' is a psychedelic trip full of Indian influences. The song 'Culturecide' has a hint of 'Vanishing Point' about it while 'Hit Void' is a sharp rocker. At this stage the album starts to lose momentum and the lingering 'Tenement Kid', experimental 'Invisible City' and the faux-country of 'Goodbye Johnny' all plod along pleasantly. The brickwall of soundscapes of 'Sideman' is interesting but has the listener quickly reach for the skip button. Robert Plant's vocal contribution on Elimination Blues is cool and understated and bring the album back on track. The snappy 'Turn Each Other Inside Out' flows nicely. In contrast 'Relativity' is overly long and the first section can only be described as a racket, until it becomes a different song altogether four minutes in. The again, oddball arrangements and hooks are things to be expected on a Primal Scream album. The acoustic 'Walking with the Beast' lead to the lush 'It's alright, It's ok' that seems to incapsulate all past influences complete with a trademark stomping chorus. Accomplished.
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5 of 5 people found the following review helpful By HELENE RAMOS on 17 Jun. 2013
Format: Audio CD
The sublime genius of BOBBY GILLESPIE is still in full flight and he still runs his empire of sounds majestically.PRIMAL SCREAM has perfected its sound as a combo on this record: More Light and with gratifying moments throughout all the tracks included -which also means: all sonically shimmering added with energy and excitement!Psychedelia followers have always enjoyed the sonic gems of this combo and it's trademark. Really splendid!

HELENE RAMOS GALAGARZA
peruvian journalist,cyber dj,producer
editor,promoter,photographer,writer
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4 of 4 people found the following review helpful By Big Twink on 25 May 2013
Format: Audio CD Verified Purchase
Yep, in my opinion this is their best album since 'Vanishing Point'. There are many great moments, opener 2013 sounds like mid-seventies Hawkwind complete with Nik Turner-style sax blasts, which is never a bad thing. Given the loss of Mani to the Stone Roses, I'm pleased they have kicked on and produced an album with a wonderful bass groove and swing. Overall the album flows really well and David Holmes has done a great production job. By the time you get to the last few bars of It's Alright, It's Ok you feel like you've been on a proper musical journey, just like all the best albums.
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4 of 4 people found the following review helpful By Malooky Kulkin on 3 Jun. 2013
Format: MP3 Download
More Light sees Primal Scream playing every card they have up their sleeves onto one album. The movie noir space and atmospherics of Vanishing Point melding seamlessly with their straight-ahead rock'n'roll alter-ego to create easily their best album since XTRMNTR (I say this as someone who has liked all their albums since then).
Lyrically on a few tracks, it feels like they're saying,"with Beautiful Future we warned you what was happening, now here we are. What are you gonna do about it?" Hard to argue with them.
The year is 2013 and Primal Scream have nailed the Zeitgeist yet again with their most comprehensive album to date.
Essential listening.
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2 of 2 people found the following review helpful By ESP on 11 Jun. 2013
Format: Audio CD
This is an insanely good album. I am so impressed by this album and this band - still producing such creative, original, thought-provoking rock music after all those years. From the startling `2013' through to `Its Alright Its Okay' it never lets up. Brilliant. It must surely be a contender for album of the year.
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1 of 1 people found the following review helpful By Richard Shillam on 7 July 2013
Format: Audio CD Verified Purchase
I can't give this album five stars simply because it's relatively new and you've got to give stuff time, and then you need to leave some room for Blonde on Blonde and Berlin and The Scream's own Vanishing Point and other classics, but really it is v. Good. Side Man is a stand out at the minute for me, but the standard right across the whole thing is typically high. Ever since the abovementioned they've been fairly consistently good. I prefer the harder edged stuff to the Memphis type material, and must praise Bobby for retaining a political interest when all the old Weller's sold out so long ago, a subject touched upon on 2013. Why Mani would want to go back to the Stoses I don't know.
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5 of 6 people found the following review helpful By Coley Kev on 24 May 2013
Format: Audio CD
I just love this record, it feels big, ambitious and sweeping. But I'm going to throw in a word that many of you may not like and the uber cool PS fan might disagree with, probably because they're too cool to have checked out "Hall of the Mountain Grill", but by god does the opening track "2013" sound like mid to late 70s Bob Calvert era Hawkwind (inc Hawklords and Sonic Assassins).

Every time when I go to listen to it I keep thinking "I must be wrong", and then the mid tempo driving, phased chords kick in, the sax fires up, the little guitar lines come in and out and the synths swirl around and it sounds even more like it than the previous time I listened to it... so much so that now some of other tracks on the album are echoing Hawkwind to me, but obviously with the immeasurable casual cool of Primal Scream stamped all over the top.

As somebody who finds the fact Hawkwind are consistently judged and maligned by the "Silver Machine" single, I find the fact that it appears that Mr Gillespie and Mr Innes have thrown some of Hawkwind's far superior work into their swirling mass of influences and inspiration very satisfying indeed.

Think I'm barking up the wrong tree or deluded? Let's not forget the fact that a cover version of "Motorhead" (originally a Hawkwind song" appears on Vanishing Point... but this album is so much more than just a single influence, there's even a cheeky "Midnight Cowboy"-esque moment at the end of "Relativity" and the lyrics throughout the album are on top form - "What happened to the voices of dissent? Getting rich I suppose..." Bobby gently observes in 2013 going on to state that there's ..."No revolutionary spirit left, they've sanitised the freaks..
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