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Conceptually, four of the pieces are based on the personalities of each band member and even if Peter Bardens and Andy Ward opted-out of offering psychological profiles by penning instrumentals (both fidgety jazz-rock nymbers, "Chord Changes" from Bardens and "Lunar Sea" from Ward), Andrew Latimer compared himself to a soaring glider on the wispy "Air Born" and bassist Doug Ferguson--whose "Another Night" spoke of "dark clouds", "feels like I'm fading" and "can't face the morning"--seemed in dire need of some tea and sympathy. And he probably felt a whole lot worse when the record company badgered Camel into releasing a truncated version as a single (both sides of which are included here as bonus tracks), an unhappy compromise for a band bent on steering clear of the commercial path. Of course, Camel's lack of a natural vocalist at that time proved a hindrance to greater success and--like dinosaurs--they were oblivious to the impending impact of the approaching punk meteorite. Regardless, Moonmadness is an enchanting period piece from a more innocent era. --Kevin Maidment
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"Chord Change" and "Song within a song" are sit back and admire-type numbers. Such musicianship! "Spirit of the water" and "Lunar Sea" (hence Moon Madness!)compliment each other perfectly. "Air Born" is a perfect representation of what Andy Latimer (who has carried Camel into the nineties and the twenty-first century) is all about, at once soaring, yet earthy.
Doug Ferguson must have been surprised to find "Another night" lifted as the single from the original release - it belongs here on the album, nestling nicely in the midst of the disc. I haven't mentioned "Aristillus" - well, I should because not only is it the kick-off track but there is certainly no dip in standard here.
Nowadays, when one thinks of classic Camel, it tends to be "Snow Goose" that is referenced. Don't know why because good though that release is (and it is), Moon madness was surely Camel's defining platter. Go buy.
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