- Paperback: 159 pages
- Publisher: Oxford Paperbacks (19 Sep 1991)
- Language English
- ISBN-10: 0192826220
- ISBN-13: 978-0192826220
- Product Dimensions: 18.5 x 11.2 x 0.5 cm
- Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 1,275,755 in Books (See Top 100 in Books)
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More About the Author
Product Description
Product Description
Although loved and admired by both her husband, Islaev, and her friend of long standing, Rakitin, Natalya Petrovna falls in love with the young tutor, Belyaev, who has been engaged to teach her son. Bewildered by her own emotions, she is nevertheless quick enough to take advantage of the offer of a husband for her ward Verochka, who she realizes is a rival for Belyaev's affections. Unwittingly a catalyst, Belyaev does not understand until it is already too late how disturbing a presence he has been in the stuffy, isolated world of the Islaev country house. This new translation by a renowned Turgenev translator achieves a balance between accuracy and elegance ideally suited to a contemporary English-speaking audience. This book is intended for general; students from 6th Form upwards following courses on drama, Russian literature, Russian studies, world or comparative literature; theatre-goers; those involved in the theatre at amateur or professional level. Translated and edited by: Freeborn, Richard (Emeritus Professor of Russian Literature, University of London);
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Most Helpful Customer Reviews
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Excellent- think of Chekov's "Uncle Vanya", but better,
By A Customer
This review is from: A Month in the Country (Classics) (Paperback)
"A Month in The Country" is the sad tale of a woman who is loved by her husband and a close family friend, and yet has fallen in love with her son's tutor, despite the fact that he loves her daughter. Confused? Welcome to Russian theatre.The play is nowhere near is complicated as it first sounds, it has a beautifully rhythmic flow that takes you through the hilarity of the situation, but also the sadness. The role of the bored housewife lusting after Belyaev urges you to wonder whether she is a cruel temptress or a wronged heroine- in the same way Chekhov presented Yeliena in "Uncle Vanya". If you haven't read Chekhov's play, you should have a look at it too- but A Month in the Country is, for itself, definitely worth a very good look.
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Russian drama of substance and wit,
By
This review is from: A Month in the Country (Dodo Press) (Paperback)
Prefiguring Chekhov's theatre work, Turgenev in dramatic form can seem to lack the precision and beauty of his prose work. On the page, A Month In The Country seems to offer little more than the romantic complications of Russian ladies and gentlemen in a setting isolated from the rest of the world with little in the way of any defining national or social characteristics, but its openness necessarily allows much more to be drawn from it in a stage setting.
Despite the lack of any real drama - the romantic entanglements are almost entirely verbal, the complications and realisations agonised over often in soliloquies - structurally the drama and the interaction between the various players of differing ages and classes is purposefully and powerfully achieved, reaching a conclusion of complete devastation of almost everyone involved without anything actually seeming to have occurred.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
4.3 out of 5 stars (3 customer reviews) 5 of 7 people found the following review helpful:
4.0 out of 5 stars
Turgenev's greatest play,
By A Customer - Published on Amazon.com
This review is from: A Month in the Country (World's Classics) (Paperback)
A reviewer before me said Turgenev came in the footsteps of the other great Russians. He might have been after Gogol, whom was the first master of fiction to turn to realism, but he was basically a frontrunner of both Tolstoy and Dostoyevsky (and Chekhov). At Gogol's death in 1852 Turgenev wrote an eulogy on Gogol and published the short-story cycle "A Sportsman's Sketches", and was banished to his estate. After this he went abroad and spent most of his time in Paris, where he more than anybody made Russian literature known to the outside world. His greatest novels were "A Nest of Gentlefolk", "On the Eve" and of course "Fathers and Sons". "A Month in the Country" is a pleasant and amusing play of the day, and his very best. One that later also highly inspired Chekhov. Further reading recommended: "The Essential Turgenev".
4.0 out of 5 stars
Turgenev's skill shines through,
By Fred Martin - Published on Amazon.com
This review is from: A Month in the Country (Classics) (Paperback)
This is not a dramatic masterpiece, but anyone who appreciates Turgenev will benefit from it. I was motivated to read this play in preparation for its performance by the United Players of Vancouver next month.
1 of 3 people found the following review helpful:
5.0 out of 5 stars
Russian+19th century=good,
By A Customer - Published on Amazon.com
This review is from: A Month in the Country (World's Classics) (Paperback)
In the footsteps of other such amazing Russian authors comes Turgenev, and his wonderfully written play 'A Month in the Country.' If you love Russian literature of this time period, and you like Love triangles, and plays, then this story can not go wrong.
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