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Monteverdi: Vespers of the Blessed Virgin CD


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Frequently Bought Together

Monteverdi: Vespers of the Blessed Virgin + Monteverdi: Vespers of 1610 [Harry Christophers, The Sixteen] [Coro: COR16126]
Price For Both: £31.51

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Product details

  • Composer: Claudio Monteverdi
  • Audio CD (3 Oct. 1990)
  • Number of Discs: 2
  • Format: CD
  • Label: Deutsche Grammophon
  • ASIN: B0000057DL
  • Other Editions: MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Bestsellers Rank: 3,286 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         


Disc 1:

Samples
Song TitleArtist Time Price
Listen  1. Claudio Monteverdi: Vespro della Beata Vergine - Domine ad adiuvandum a 6Nigel Robson 2:09£0.79  Buy MP3 
Listen  2. Claudio Monteverdi: Vespro della Beata Vergine - Dixit Dominus a 6Ann Monoyios 7:12£0.79  Buy MP3 
Listen  3. Claudio Monteverdi: Vespro della Beata Vergine - Nigra sum a 1Mark Tucker 3:47£0.79  Buy MP3 
Listen  4. Claudio Monteverdi: Vespro della Beata Vergine - Laudate, pueri Dominum a 8Ann Monoyios 5:40£0.79  Buy MP3 
Listen  5. Claudio Monteverdi: Vespro della Beata Vergine - Pulchra es a 2Marinella Pennicchi 3:56£0.79  Buy MP3 
Listen  6. Claudio Monteverdi: Vespro della Beata Vergine - Laetatus sum a 6Ann Monoyios 6:31£0.79  Buy MP3 
Listen  7. Claudio Monteverdi: Vespro della Beata Vergine - Duo seraphim a 3Mark Tucker 6:43£0.79  Buy MP3 
Listen  8. Claudio Monteverdi: Vespro della Beata Vergine - Nisi Dominus a 10English Baroque Soloists 4:35£0.79  Buy MP3 
Listen  9. Claudio Monteverdi: Vespro della Beata Vergine - Audi coelum a 8Nigel Robson 8:35£0.79  Buy MP3 
Listen10. Claudio Monteverdi: Vespro della Beata Vergine - Lauda Jerusalem a 7English Baroque Soloists 3:50£0.79  Buy MP3 


Disc 2:

Samples
Song TitleArtist Time Price
Listen  1. Claudio Monteverdi: Vespro della Beata Vergine - Sonata sopra Sancta Maria a 1English Baroque Soloists 6:54£0.79  Buy MP3 
Listen  2. Claudio Monteverdi: Vespro della Beata Vergine - Ave maris stella a 8Michael Chance 8:55£0.79  Buy MP3 
Listen  3. Claudio Monteverdi: Vespro della Beata Vergine - Magnificat I a 7Ann Monoyios17:38Album Only
Listen  4. Claudio Monteverdi: Vespro della Beata Vergine - Magnificat II a 6Mark Tucker18:27Album Only

Product Description

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Customer Reviews

4.5 out of 5 stars
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Most Helpful Customer Reviews

11 of 11 people found the following review helpful By Ralph Moore TOP 50 REVIEWER on 22 Aug. 2010
Format: Audio CD
Odd how differently people hear this recording. A number of English reviewers' pale sensibilities are offended by the robustness of this performance, whereas American contributors are by and large much more welcoming of Gardiner's large-scale approach. Personally I love its grandeur and attack; it epitomises the renewed confidence and momentum of Catholicism in the Counter-Reformation. If you want restraint and understatement, Andrew Parrot's one-voice-per-part version is for you, but I think his approach severely undermines and mischaracterises the nature of the music and its spiritual inspiration. For me, twenty-five years on, for all that I am by no means an indiscriminate fan of Gardiner's musicianship, this account leaves all others in the dust. It marks a huge improvement on his earlier version and provides the most alluring and seductive introduction possible to Monteverdi's sound-world.

Gardiner's almost aggressively phrased and paced introduction raises fears that he is going to be a gung-ho pace throughout, but he soon relaxes into the lyrical sections of the score and permits his singers the requisite space and freedom to do justice to the lovely melismata, gorgeous suspended harmonies and spicy discords. The spacious acoustic of St Mark's lends weight and nobility the sound without obscuring detail; the recording engineers have achieved a very satisfying compromise between reverberation and clarity. Gardiner has used substantial forces: a big choir and baroque orchestra, sometimes doubling the singers with instruments and choosing soloists who sing out without sounding either "white", hooty and precious or, at the other extreme, too "operatic". In fact the singing is the best feature of this account; both the soloists and choir are stupendously good, especially tenor Nigel Robson.

I place this amongst Sir JEG's finest achievements, something of a benchmark recording. I have certainly never felt the need to own or listen to any other.
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38 of 40 people found the following review helpful By Ms. A. C. K. Starr on 23 Sept. 2003
Format: Audio CD
To quote somebody-or-other, if this doesn't turn you on you've got no swithches! The whole work is achingly beautiful. It was recorded in St. Mark's Cathedral and the accoustics and atmosphere are both stunning. Gardiner has an academic streak, and the insert booklet reads, in places, like a very good undergraduate essay, where he argues about the degree to which the counter-reformation influenced Monteverdi. I'm sure he's right, and his interpretation doesn't sound up-tight enough to be heavily influenced by some kind of post-Tridentine fortress mentality. Gardiner uses these insights to give his interpretation an authentic, oriental feel.

The first time I heard the Vespers, these were recorded by Jurgen Jurgens. I bought it as a boxed set of LPs, many years ago, now disintegrated. Jurgens is much more precise - the plainsong, for example, could have been done in the Cisteine Chapel. I must admit I like Jurgens the best in this particular instance, although his interpretation is probably less authentic. But that's my personal quirk, and Gardiner, as always, is just wonderful.
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45 of 48 people found the following review helpful By A Customer on 2 Jun. 2002
Format: Audio CD Verified Purchase
First up, cards on the table. Rightly or wrongly, I am an unashamed lover of "Grand" Monteverdi, as opposed to quiet, devotional Monteverdi. The Andrew Parrott version, beloved of the Seventh Day Authenticists, is beautifully sung and played, but doesn't do a thing for me. This does - it is spine-tingling. So Gardiner uses extra brass in the climaxes - so what? It seems just right for Venice, which liked its music grand. The glory of the set is the Monteverdi Choir, which sings simply wonderfully. In short, a brilliant achievement and one in which I'm hard at work wearing out the pits. This is IT, accept no imitations! (Best of all, there's a video of the performance that can be bought from Gardiner's Monteverdi organisation).
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1 of 1 people found the following review helpful By capezio on 28 Mar. 2014
Format: Audio CD
Monteverdi has a high skill on music and this recording is shurely a reference of this work.

There are a full hand of other recordings but, particulary they don't get the right approach.

Some are very interesting but uses one-part-per voice like Parrot and McCreesh.

The first Gardiner on Decca and the Suzuki uses larger forces but are a bit slow on pace making it a bit heavy.

This one receives a dance-like and strong-attack moments that makes it unbeatable.

The McCreash (on a Archiv too) have a nice lead but the one-voice-per choral parts are covered by the strong sounds of the brasses and sacbuts and the use of a bit larger choir as in Gardiner gives an excelent balance to the sound.

Some maybe bother by the voice of the soloists but they're very good. Among them you have Alaistair Miles, Nigel Robson and the now popular Brin Terfel in the begining.

This recording has either a substancial difference from the others because it was recorded on the exact place where it was writen for: the Basilica of St. Marc on Venice and the acustics is simply fabulous.

I either recommend you watch the video of this recording that's simply amazing and has a historic documentary of Monteverdi and the work.

A highly spiritual experience.

Capezio
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12 of 15 people found the following review helpful By Cantor on 29 Dec. 2008
Format: Audio CD
Although the ensemble and chorus are superb, if rather numerous (something which some may dislike), the soloists are embarassments: the very opening of the Vespers is sung in such a way so as to be at least a semitone out before the ensemble and chorus strike up. A minor point in most circumstances, but unforgiveable in a high-profile professional recording being marketed (and priced) as one, especially when one notes that the soloist had the note pitched correctly, but slides off it and on again for goodness knows what reason. The soloists continue to disappoint: there appears to be a competitive streak, and not a healthy one, in the concerto Duo Serpahim, resulting in a lack of cohesion and causing a general... messiness (try listening to the preview). This rather uninspiring approach to the music pervades the solo works, which is an immense shame: the pace is lively, the dynamics are appropriate, and (as I have noted) the ensemble and chorus are magnificent. I'm currently trying to find an interpretation without such glaring weaknesses, and would urge others to do the same, so as to avoid disappointment.
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