There has been considerable negative criticism of this film, and I think it arises from the simple fact that it is not in the least what most viewers expect it to be. Although it sports two well-known stars and expensive production values, Marc Forster's MONSTER'S BALL is essentially an art film that was unlikely to appeal to the mainstream audiences that rushed to see in the wake of Halle Berry's historic Oscar win.
The story is American Southern Gothic to the max, playing with grotesque plot devices worthy of Flannery O'Connor and twisted characters that might have stepped out of a Tennessee Williams play. Hank Grotowski (Billy Bob Thornton) is a correctional officer with the Georgia prison system, where he works with a team that executes prisoners condemned to the electric chair. During the course of his duties, he participates in the execution of Lawrence Musgrove (Sean Combs)--an execution that, in the most unexpected way imaginable, leads to the violent death of his son (Heath Ledger.) He subsequently becomes acquainted with Lawrence's widow Leticia (Halle Berry), and when she too loses her only son (Coronji Calhoun) to violent death the two embark on a passionate affair fueled by their grief and bitterness.
The film plays with a number of ideas and issues, chief among them racism, but at core it is about the emotional sterility and shallow lives of its characters, and none of them are greatly likable. This is particularly true of the two leads, who are abusive, frustrated, and bitter--until their unexpected affair forces them to evolve in new directions. Even so, their motives remain problematic, and the conclusion of the film offers little in the way of closure.
While the plot relies on several improbable coincidences, director Forster and his actors make the most of it, and the result is a film that is truly painful in its intensity. While Halle Berry's performance has been justly celebrated, it is equaled by Billy Bob Thornton--and the supporting cast is equally remarkable. The cinematography and music is at once understated and extremely memorable, and the film as a whole has a desperate darkness that few others in recent memory have equaled.
This is not a film that a great many people will like, for it creates a brooding quality that is deliberately left unresolved. But it is a haunting film, one that lingers in the mind long after the final credits have rolled. While the DVD is expertly crafted, I found the bonus features--which include various audio tracks, outtakes, and a short on the making of the soundtrack--fairly trivial. Recommended to viewers who appreciate bitter drama at its most intense.
GFT, Amazon Reviwer